Is anyone aware whether the ARRICAM bodies can / need to use the ESU-1 for genlock like the 416 and 2/4/535? I know Keslow has their KISS unit which was built for the ARRICAMs, but web searching so fa

Hello all! I'm prepping for a feature later this year, all shot on a stage being built in a warehouse in North Carolina. The director (and me!) are interested in a LED wall solution for our big window

Hey all! A couple weeks ago we shot a test of the new Alexa 35 on our LED volume with an Unreal Engine background. We wanted to test the camera, and a variety of filters to see how the wall responded

Wanted to share a new resource that was just launched today "The Virtual Production Glossary" The database was established through a collaboration between the Visual Effects Society (VES), the America

I was going to post this on general but found the VR group - not sure how many there are here. I need to find/build a solution for 360 capture - display at the end will be large format displays. So qu

Morning all, We recently did a job where we did some "medium mans process," shooting car plates for a driving scene. Production didn't have the money for LED walls, so we instead brought in projectors

Next week I have a very interesting test, we are doing a small scale test for a stage that will be built later in the year of around 50 meters. I am testing a variety of screens from 2.5 to 1.5 pitch

How are virtual reality (VR), augmented reality (AR), and tools like Unreal Engine changing previz, preproduction, and production? What do they mean for the practice of cinematography itself? We’ll ex

I wanted to write this down because it's become a point of contention on the last couple jobs, and I just wanted to clarify a particular point about virtual set extensions or xR workflows. A couple ti

This topic will cross over into CML-Post-VFX-ACES and CML-RAW-LOG-HDR territory, but because it is entirely with regards to Virtual Production it belongs here. As a DIT, a lot of my research into Virt

I'm really glad to see this list expanding to include Virtual Production and other forms of image creation. Unlike the other CML lists where I have comprehensive knowledge of the topic, I am at sea he

The Visual Effects Society just announced our initiative to centralize Virtual Production Resources for VP community access in collaboration with other industry leaders this week. Check it out and vis

Test 1234 6 (the 5 is virtual). -Bob -- Bob Kertesz BlueScreen LLC Hollywood, California Mostly Retired Engineer, Video Controller, and Live Compositor Extraordinaire. High quality images for almost f

VR360 location productions Project in Feb 2021, looking for China HangZhou, Vietnam Hanoi, and Nicaragua VR support teams, preferred to have VR equipment and could do all basic VR stitch before delive

This Wednesday the 13th we will be discussing virtual production with some people who have practical experience of it. The cast isn’t fixed yet 😊 holidays are still getting in the way! This is one we

Does anyone know if there is (or where from) a CGI build of a London classic view available to buy? Independent feature looking for such thing for end shot. The shot in question is starting over a wal

Hello. I fear this group is dead, but let's see. So I have a client who is filming 360 videos inside a moving car with the camera strapped to their chest. https://youtu.be/W-TUcdMXbfc They're having a

As this list is not being used I'm contemplating killing it. Object if you want it to stay. Sysadmin

https://www.youtube.com/watch?v=Hjb-AqMD-a4 This was posted on the Epic games YouTube a couple weeks ago, and I've since heard that this is being used on the Mandalorian. I think the results are stunn

I used to have a set of these iGlasses I would wear sometimes to operate shots. I used them on in VR work as well as regular motion picture when the shot was tricky and I wanted a more immersive opera