I have developed into E6 (Tetenal Colortec), some new Ektachrome 100D (Kodak 7294) Super-8. This transparency film has more latitude than previous Ektachrome 100D (Kodak 7285), the grain structure is

HI, I think we should all consider this before we get too excited by this latest work. https://theconversation.com/they-shall-not-grow-old-world-war-i-film-a-masterpiece-of-skill-and-artistry-just-don

I recently picked up two film cameras (a Pentax K100 and a Kowa 6 MM) which got me back into shooting film for stills. As I'm exploring new film stocks to try, a lead pointed me toward CineStill which

I have resisted uploading the results of the 5219 from the camera tests I shot in July as I feel the scans are sub-standard. However, I’ve had a lot of pressure to show them so I’m caving to that pres

I am involved in a history project concerning shooting film during the Great War. There's a lot on line but far far more in libraries and books and people's memory. I am going to demonstrate to some P

Ektachrome 100D in 135 photo format was not released yesterday at photokina 2018 (day 1), however Kodak Alaris had samples of Ektachrome 100D already exposed and developed, that were available for vie

According to information published by Kodak in social network new Ektachrome 100D (7294) will be available in Super-8 motion picture format in the USA, since October 1st, 2018, and is likely to be rel

Hi all, would like recommendations for individual 4 x 5.65” or 4 x 4” ND filters for use with film camera mainly (Aaton XTR 16mm (standard gate) with a Cooke Varokinetal 9-50mm on it) Price range: max

As I am actively shooting work on 16mm at the moment plus (because of it) on the look out and really enjoying films on the big screen shot on 16mm e.g. Mother! is the 16mm format now become the 'champ

I would like to know what kind of test is done now when using a digital camera,c omparing with the ones in the film days

Does anyone have a photo they could share of an actual hair in the gate from outside the lens port looking in? During the fall/winter months, I teach at a local film school where we still teach 16mm o

My question is : why would anyone want to use a standard 16 camera today? Argyris Theos, gsc DoP, Athens Greece, theos@... +306944725315 Skype Argyris.Theos www.vimeo.com/argyristheos via iPhone 26 Μα

I've got a problem with my CP-16r, bow-tie shutter. The film transport sounds good and solid. There are no noises out of the ordinary, but there is definitely a problem as the footage shows. Its almos

Hi there, I have a short film coming up and we are shooting on an Aaton Xtera 16mm cam. I have a handful of accessories that I want to power on the camera, Odyssey q7+ monitor, Movcam wireless lens co

Hi…does anyone know Nigel Meakin? http://www.bfi.org.uk/films-tv-people/4ce2ba0b17bf0 I have a viewfinder extender (long viewfinder in other words) - with a sticker that has his name and address on it

Hello all, Hope you’re all well. Writing to ask for some advice and opinions of those of you that shot out in Beijing. Any experiences renting a Arri LT package there? There are two rentals out there

So I see that we have a new 65mm film camera! Not only that, but it is a sort of hybrid film/digital camera! https://logmar.dk/magellan-65mm/ I was wondering what people's thoughts are. Particularly w

I've been warned that using a lithium ion battery such as these. I may have a chance of frying the colour video tap being 14.4v.: https://www.bhphotovideo.com/c/product/1348018-REG/varizoom_vzs8073n_7

Hi everyone, having my standard 16mm Vision3 500T footage scanned by Cinelab London as either SPIRIT 2K log scan or HDR Scanity 2K log scan and given the 40% difference in cost I was wondering if you

I am looking to project a 35mm print (with Dolby Digital 5.1 sound) of a 9 minutes short-film in Los Angeles and New York. This is not a commercial projection; but rather a private projection. Please