Hi there, I hope everyone is doing great! I'm a director based in NYC, and I have an Eclair ACL Super 16 Camera that I need a battery and charger for. Does anyone happen to know where I can find this?

Hello, I am beginning work on a short dance for the camera project to be shot in S16. I want the film to have the look of water colors, due to the ideas of the project. I have no idea where to begin s

Hello, Here are some samples of Kodak Vision3 500T / 5219 color negative processed into normal ECN-2 at FotoKem. Shot with Glass Cooke s4/i and an Arriflex 435 Xtreme at Claramunt stage in Santiago de

Does anyone have a Debrie GV Appareil GV-Modele G ? I have one but no shutter. I would be extremely lucky to find a shutter for this but there may be someone out there who has one of these cameras and

Have been working on some research with 2-Perf and 3-Perf cinematography. Settling on 3-perf and now am researching Scope vs. Flat acquisition. Have always been a fan of 2.35 Scope and all that comes

Hello all, I’m new to 35mm Film cameras and I’m trying to power up the video tap on an Arri 35 IIIc. It has a 12-pin (m) connector on the one side, and a 4-pin (m) connector on the other (along with B

Hello, My name is Casey Shaw and I am a filmmaker based in New Orleans, LA. I run a production company “Shawscope” that is centered around training up and coming directors and DP’s on how to use 35mm

Hi there! I hope everyone is doing great. I recently moved to NYC and was wondering if anyone knew where I could purchase Super 16mm film stock? From what I've seen, B&H Photo seems to be the main spo

Does anyone know of an old wooden Kine tripod for sale? I am advising two productions on hand crank. I have hired my Williamson Topical to one of them but the second production want to buy their own c

Hello, cml-film I wish to expose and develop film in small batches: one 35mm frame at a time. The plan is to use these low-stakes small batches to establish creative control over the exposure-developm

Can anyone suggest the best place on the Eastern Seaboard for digitizing 8mm, Super-8, 16mm and vintage video formats? Thanks

Hi all- I hope this is the right place to ask this question. I am working on a project that has a big volume of footage that was shot on 3/4", BetaCam and some VHS. I am looking for a reliable high qu

Hi, first post, we got an strange issue on a 416. I'd like to know if this problem already have been encountered. after process and TC we noticed a big overexposed part entering and leaving the right

Hi everyone, first post, strange issue obligatory we got a strange issue on a 416, and i'd like to know if it already happend to some of you, and if someone could give more info about that. After deve

Can anyone supply me with a workshop manual for the Fries 120M motor? Does anyone know the name or where I can get that 3 pin plug for the power lead? I'm using a 'Swan Vesta' connector at the moment.

Nice solution. I love to see a good solution to keep a classic piece of camera equipment alive! Bob

G'day All, What was the deal with Panavision’s R=200° “Superior” shutter again? Seems like it works out to 1/43.5 of a second integration time (at 24fps), which would provide about 10% more motion blu

Has anyone ever had a schematic of the Norris time lapse motor? I am trying to fix the electronics or rather the Optical switches on the spindle of the motor. There is a small rotatable plate to which

CML group: I have a Cinema Products CRA-4 crystal motor for Arri 2C. (see attached photos) I would like to build a new power cable, but cannot determine part number(s) for Lemo connector. As far as I

An interesting article on American Cinematographer, regarding motion picture film. https://ascmag.com/articles/film-forward?fbclid=IwAR0nD7iEiN3vckkK2UQCa4nUuNBu_nt7NYtOyWdUwaCNlMf-j9f-kqQZesk Best re