Here's the final edit to the piece I shot....its under 2 mins long thanks for watching if you do! comments much appreciated...... https://vimeo.com/335696244 Stephen Perera Design + Photography Gibral

Hi All, I have a movie coming up in late summer in which we are discussing seriously shooting Ektachrome 35mm anamorphic for several sequences. I heard that Kodak can produce the super8 ektachrome in

Hi there....some stills to share with anyone interested in shooting Double X in 16mm format......this message was edited to include a private Vimeo link https://vimeo.com/335696244 password: violence

I’m going through some dimensions of film, some are from SMPTE, and there are two dimensions listed in some cases for scan for TV versus for D.I. output to film. For example, for 3-perf 1.78 (Full Ape

Can anyone supply me with a workshop manual for the Fries 120M motor? Does anyone know the name or where I can get that 3 pin plug for the power lead? I'm using a 'Swan Vesta' connector at the moment.

Hi. I would love to hear your experience shooting on 35mm film lately in Canada and in Germany. Lab´s Quality, workflow and Dailies delivery. I know Mels in Canada, but wonder if there are other good

Hello Can anyone tell me if the current season of The Walking Dead was photographed on Super 16? One of my students is inquiring. Thanks. Philip Letourneau Cinematographer, Instructor Calgary, Alberta

I cannot find the actual speed of film that was used in the Great War. I know it was low but how did it compare to modern stocks. From one source I have gleaned that the best stocks were Kodak or Lumi

To all, This morning a film maker from Paris visited my lab. He is a good friend of the owners of Cine-Dia lab, based in Paris. We all know this lab. The owner is about 85 years old. Unfortunately the

Hello, Here are attached some photographic samples of the new Ektachrome (E-6) Color Reversal Slide Film shot in a Contax 139 Quartz camera (135 format) and Carl Zeiss glass. These samples were shot w

Hello, I am planning to shoot a short S16 film this summer. I am thinking I would like the look of sepia for the film. All I can find about sepia is how it once was done, and how it can now be replica

Hello everyone and thank you in advance for taking your time to read this, I'm prepping myself for several personal projects that I am thinking of shooting on film in order to revive my film portfolio

Thought perhaps a few of you would enjoy to see the old Prevost projector from Queens Cinema in Gibraltar now a museum piece and preserved beautifully....these projected it all and was the best entert

Hi all....shooting Kodak Eastman Double-X in 16mm format and would welcome any and all feedback on this stock. It's a personal project to enter a local area festival - you gotta do what you gotta do -

Just posted this web page of the event... https://www.pmb.ox.ac.uk/content/%E2%80%9Cwhere-do-you-put-camera%E2%80%9D-lecture-and-film-screening I am part of a lecture at Pembroke College, Oxford 19:00

I've not shot on film in decades and now I have a 2 day ultra low budget gig shooting available light interiors on 16mm. Day scenes, window light only, maybe a bit of tungsten fill. Oh, and it's durin

I have developed into E6 (Tetenal Colortec), some new Ektachrome 100D (Kodak 7294) Super-8. This transparency film has more latitude than previous Ektachrome 100D (Kodak 7285), the grain structure is

HI, I think we should all consider this before we get too excited by this latest work. https://theconversation.com/they-shall-not-grow-old-world-war-i-film-a-masterpiece-of-skill-and-artistry-just-don

I recently picked up two film cameras (a Pentax K100 and a Kowa 6 MM) which got me back into shooting film for stills. As I'm exploring new film stocks to try, a lead pointed me toward CineStill which

I have resisted uploading the results of the 5219 from the camera tests I shot in July as I feel the scans are sub-standard. However, I’ve had a lot of pressure to show them so I’m caving to that pres