Can anyone recommend the above? Production has two drives not mounting anymore, disk utility can see them. Thank you Franz — Sir Franz Pagot AIC OMRI Cinematographer BAFTA MBKS GBCT https://www.imdb.c

This thread is for Henning from Arri 😊 I’m a huge believer in Digitally Assisted Focus DAF and in some instances autofocus. I’ve written about this in the past https://cinematography.net/CanonC300-2-D

I initially posted this on Reduser but I have just finished running a series of tests with the ACS on a preproduction model of the Sony FX9 and to my surprise the Auto Focus system proved effective, c

Just had my first hands-on with the C500ii yesterday, and figured I’d share. There was a lot to take in: - Size + Weight. It’s almost ridiculous how tiny the C500ii is. I ran the numbers, and it’s bas

Hello everyone. I have a question for a museum friend of mine. He’s putting together the back story on a newly acquired airplane that will eventually be on display. He’s trying to stitch together its

Anyone here an early subscriber to the new Disney+ streaming service? Don't care about a list of available content, that's all over the Interwebs. What is lacking currently, and what I'm interested in

Hi ALL: See the following.... what cameras and lenses were used for current Oscar contenders.... Regards, Bill Hogan Burbank, CA IndieWire: Oscar Cinematography Survey: Here Are the Cameras and Lenses

I’ll start by saying that I love Cameraimage, there’s nothing else like it. I was nervous about the move to Torun but I needn’t have worried. There were however some issues with the move and the growt

Podcast link: CINEMATOGRAPHER LIFESTYLE https://anchor.fm/cinematographer.lifestyle Instagram: @cinematographer.lifestyle Facebook: @cinematographer.lifestyle Apple: https://podcasts.apple.com/us/podc

For those who may not have heard of the Z Cam, it is another company offering a variety of cameras from 4K 422 10 bit MFT entry-level units to 8 K Full Frame units along with VR Cameras basic to profe

I attended an all-day event at Vocas which was Alister Chapman explain and demonstrating the FX9. First of all, I should make clear that I really don’t like the FS7 for far too many reasons to list he

Just saw an interesting story on Euronews, interesting and Euronews, not words I would expect to use together. The story was about a Russian film festival. It's held out doors in public spaces. Short

Hallelujah! My last technical session at Cameraimage. Luckily it was another interesting one. Of course there were plugs for Mixlight but again not a hard sell. Discussion ranged over matching LEDs, n

A quick but silly story to remind all of us cinematographical “artistes” that we are not alone out there. As a few of you know I am working on a project in Budapest for a while… on the VFX side, as yo

Art started by saying he was doing a sales presentation, OK but... Actually there was very little but 😁 Good explanation and demonstration of various abberations, very clear illustrations. Of course t

The title says it all, moderated by Benjamin B as brilliantly as he always does 1927 Sunrise to 2012? Kill Bill via Klute and no, I'm not going to list every film. 2 clips at a time then discussed by

Reviewing a technical presentation is easy. Is it accurate, is it helpful, what lies are they telling and so on. Reviewing a presentation that talks about the emotional impact of images, the social im

A showing of three short films shot with Sumires two on C700's and one on RED. All were shot wide open with nd's to show the effect of the lenses clearly as they become more "normal" as you stop down.

Before the showing of the movie there was an hour long Q&A with the cinematographer, gaffer and AC. The lines for this stretched all the way back to Bydgoszcz 😀 Drawing on my background in news and do

This presentation was about extending the data included in the /i data protocol to include abberations and shading. Snehal was clear and interesting. This could have been a guaranteed doze for a lot o