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Re: Mid-level cine prime recommendations

Re: Mid-level cine prime recommendations

Jose del C Martinez
 

Hi

  Thanks for all your inputs which is the reason this is one of the most resourceful site for us who work on this wonderful world of visual art.

Jose del C. Martinez, SOC
Cinematographer/Gaffer 
Vaisty films Corp.
646 600 2021
NYC

On Mar 2, 2018 10:31 PM, "Cameron Zohoori" <cameron@...> wrote:
Hello all,

My company (a small creative agency/production house focusing on doc-style commercial and original productions) is looking to upgrade from our assortment of mostly still lenses (Canon EF primes/zooms, Sigma Art lenses, etc.) to a set of matched, mid-priced cine primes. We need FF coverage as we often shoot Sony A7SII as B-cam to an FS7 A-cam.

We're currently looking at Zeiss CP2, Schneider Xenon, Sigma FF, Canon CN-E, and maybe the Xeens. Online comparisons and reviews are all over the board in their quality/consistency of testing. We've tested a couple but would very much like to hear thoughts from other filmmakers with real world experience with these lenses. They all seem like good options; does anyone have thoughts on practical differences between these or similar choices, red flags in terms of optics/usability, or which you would trust as workhorse lenses for a range of doc projects? Happy to hear subjective opinions...

Thank you
-- 

Cameron Zohoori
Senior Producer
Vignette Creative
storyiseverything.com
Seattle, WA 
USA 

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