I’m going through my in-depth Impression filter presentation live at CineGear, for all who want to see it on a big screen. Saturday, 6/3 11:45am Sherry Lansing Theater -Art ___________________________

Hi all- This is the first U.S. project that I’m aware of that was shot on Signature Primes with Impression filters: https://www.youtube.com/watch?v=_ALPdRtEthw The DP is Ian Rigby, working through ren

Hi all- It has come to my attention that a Turkish cinematographer, Ugur Içbak, has produced a wonderful short project for us that shows the differences between our Impression filters, and Signature l

Hi Everyone Got two questions. Shooting at F16. What lenses are good at this stop? If I use a FF camera at Super 35 do you get more depth of focus like you would using a camera that is only Super 35?

does anyone have an overview about Cineovision 2xAnamorphics? As far as I know as base lenses there were Cooke Panchros, Canon K35, Zeiss High Speed and Zeiss Ultrascope lenses used. What is more I st

Hi all- I put together a dealer training presentation on our new Impression filters for ARRI Signature Primes and Zooms, and I’ve gotten permission to share it here. It’s an 87-slide PowerPoint video

We published an article about the use of Fujinon's PREMISTA ZOOM in the VIX+ series Crazy Charlie produced by CaracolTV. ENGLISH version at https://imago.org/news/fujinons-premista-zoom-in-the-crazy-c

Hi All, I just wanted to share a new online library that I've been working on with my focus puller to share our lens and filter tests with other filmmakers, cinematographers, directors, camera crews e

I wanted to ask the hiveminds opion and experience on something. I currently have a full prime set of cinemodded Canon FD SSC lenses and really enjoy them however I have been thinking of upgrading to

I have a set of the 1.33x Sirui anamorphic lenses in M4/3 mount. I was wondering if anyone has tried using these lenses with a teleconvertor To get a longer reach? If so what was the outcome I have a

Hi all- We’ve been experimenting with rear optics on Signature lenses for a while, and now we’ve released an official ARRI product around that idea: ARRI Impression filters, series “V” for vintage. ht

We've made a series of slot diopters mounted in our Rota-Frame. You can see them here: https://www.lindseyoptics.com/close-up-lenses-diopters/4x5-65-tray-mount-rota-slot-diopters/ We need some images

Hi guys, my first post here, nice to be a member! Here's the question: My small (German) company owns a set of Canon K-35 lenses (18-24-35-50-85, all high speed, in PL mount), recently re-housed by TL

I didn't know which CML list to put this on so I just picked glass because I figured a lot of people were on it . The "A" SDI input on my Odyssey 7Q+ has broken and needs to be replaced . The pieces t

Hi all- We just released a fun video shot entirely with the very long and very short Signature primes: http://www.youtube.com/watch?v=qE1TKxzI5DI Enjoy! -Art __________________________________________

Ever wondered which lenses were used to film underwater sequences on Avatar 2: The Way of Water? Nikon Nikonos 15mm sn #216940 and #202669 were the two lenses selected from a pool of over 100 lenses b

Hi all- I just took a look at our latest price list and compared it to last year’s. I’m seeing price reductions for ARRI Signature primes and zooms of between $2,000-$5,000, depending on the lens. The

I’m shooting a (2) camera show on the Sony Venice. We're using (2) EZ type Angēnieux lenses. This will be my first time working with the Angēnieux's. The client/production company owns the cameras & l

I am currently shooting a series with Panavision Auto Panatar, Ultra Panatar and G-series anamorphic lenses. I need something wider than our widest 35mm lens and something that focusses closer than th

Hi everyone, Looking for advice regarding glass for an fpv shoot with Komodo. The commercial is made up from about 5 shots that all are the POV of a bird from walking to a cliff and taking off, to fly