I’m excited about the new Ozark season. I’m set to sit down and begin watching this weekend. In watching trailers it looks good, like it always has in s1 & s2. Wondering, though, what lenses are being

Hi all- ARRI Signature Prime online event Date: Thursday, April 9, 2020 Time: 1300 (1pm) PDST On Monday or Tuesday I’ll post an EventBrite link. You’ll need to sign up to get the room number and passw

Hey Gang- Hope everyone is doing well, staying healthy and sane. Had an interesting meet up this morning with Snehal Patel and the gang from Zeiss discussing Zeiss products, Full Frame vs. S35 and the

We're announcing our new Large Format Directors Viewfinder. There's glass in it . . . so I guess the announcement belongs here in cml-glass . . . We've made an optical viewfinder that can view images

New vlog from Zeiss, I think we’ll see more and more of these. I can’t find an embed option, I’d include it with the CML lessons if I could ☹ https://youtu.be/Rqhbcy7XwsM cheers Geoff Boyle NSC FBKS E

Hi all, Getting a lot of questions about these so I thought I'd post this here. It took a year and a half and various copies to put this set together but here it is: The Mamiya 645 lens set consists o

Hi all- I’m trying to gauge interest in an online Signature Prime demo or two. This is a revised version of the presentation I gave last November at Camerimage where I break down all the components of

Yes please, Thank you Art Georges Leurquin DP Brussels

Hello there, I try to understand an legend or myth about Leitz lenses , for example Summicron 50 M or R. I talked with leitz ussers and they told me that portrait success and extreme organic 3d face d

I missed this as it landed in my junk folder for some reason. Thanks, Benjamin. That was a lot of fun to do. _______________________________________________________​Art AdamsCinema Lens Specialist​ARR

If you're around NYC on March 2nd, please feel free to stop by for an open house hosted by Zeiss & the Studio-B&H . We'll have a complete set for the day with an ALEXA LF, a Venice and a MONSTRO VV al

I found this to be an excellent interview with CML member, Art Adams. While Mr. Adams is a representative of Arri, the majority of this interview focused on lens characteristics and design. There’s a

Hi fellows! Does anyone has experience with the Fujinons MK 18-55mm and 50-135mm? Probably gonna pair them with a Sony FS5 II. Thanks! André Moncaio DP and Teacher São Paulo, Brasil

Hey all. I have just had my Summicron stills lenses de-clicked and have an issue where the iris will close down a bit when I let go. I will be honest and say I have never worked with de-clicked lenses

Hi, Does anyone have any info on the lenses used to shoot The Outsider for HBO? There’s some very interesting bokeh in some of the shots. It’s not consistent though, so I’m wondering if they are using

Has anyone tried the Heliopan variable NDs? I like the fact they start at 1 stop and not the 2 stops the Tiffen on does. Michael Sanders Cinematographer, London. Broadcast - Docs - Commercials - Corpo

This is pretty last minute but if you're in the NY Metropolitan area this week and you're interested in testing these lenses, please come by KleenSlate Creative Victorian Parlor location on Thursday J

Does anyone know anything about this lens? A friend of mine ran across it and is interested in it. He wasnt sure if it was some sort of lens that was made by Panavision or if it was made by someone el

Chatting at Cameraimage I found out that a lot of cinematographers have no idea that these exist. It all started with a conversation about how some people managed to make small and effectively invisib

Hi all....just received a beautiful condition (looks barely unused!!!!!!) and what I think is a Zeiss Standard Prime Mk II 8mm T2.1 lens for 16mm format which I bought on Ebay. I was hoping someone co