HI any one have a suggestion for repair / macitence of a NSI / MC 7009 memory lighting controller in the LA area ? thanks retired Local 600 Still in Venice CA USA Edward V Barger edvbarger@... 310 922

i was search about Phanton Thread cause i want to understand why so flair, smoke and flair in the blacks(low light) as well. first i discovered that Paul Thomas Anderson decided not to hire a DP for t

Does anyone know when the Light Source app will be upgraded for iOS 11? Thanks, Michael Banks

Hi guys, I'm on a one-man band shoot where I'd like to have a Panaura 5 overhead on top of a kitchen counter. What's the right grip that I need? Potentially, can I achieve this by using C-stand, attac

Hi everyone, I'm looking to purchase a flexible Bicolor LED panel for outdoor use and came across this unit. Never heard of the manufacturer before and can't find any meaningful reviews online - does

Hi all, I'm prepping for a shoot in Mexico City and our service company's, errr, service leaves a little to be desired. I'm desperate for some coloured gels (colour fx, not technical) and they're offe

Hi all, I’ve been using Luminair for about 9 months now on set. Nothing too ambitious, mostly using it to control practicals and tungsten heads. I’ve found it to be very helpful, but one area where it

Hey everyone, I’m looking for a working vintage light fixture as a prop for the background of a sit-down interview. We’re shooting in Chicago, LA, New York and Las Vegas in April and May. Any suggesti

CML members may be interested in our coverage of the annual Digital Cinema Society exploration of Motion Picture Lighting and Grip Technology. The event was held at the IATSE Local 80 stage in Burbank

Talking to a manufacturer who is looking for input… Bi-color is the rage, magenta/green & RGB is the talk BUT what do gaffers & DP’s really want? Now OK, in an ideal world I want DMX control of RGB bu

Has anyone used the larger Mole LED sources (the 900w 5K equivalent or the 1600w Tenner) for Phantom work? I'm going to be shooting around 1000fps, and want an f/8 on top of that, so looking for right

Hey all, Anyone out there ever shoot green screen composite shots where the foreground is lit with UV lighting (blacklight)? I would imagine I would have to keep the UV off the green screen. If it "in

Hi all, I have a project coming up where one of the principal locations is an old Victorian house, which is somewhat in a state of disrepair. Although the house is old, the windows have been replaced

Does anybody have a recommendation for a more cost conscious equivalent to litegears lite ribbon solution? I have been tasked with building custom lite panels to be fitted into a booth, which has stri

Hello again, I'm looking to learn about, see and buy the following - for high speed table top cinematography work. Motion controlled model movers Compressed air (ejectors) Pneumatic Pistons (actuators

CML members in the L.A. area next week may want to join the Digital Cinema Society's our annual exploration of Motion Picture Lighting and Grip Technology. We return again to the IATSE Local 80 stage

I am in need of a gaffer with green screen, joleko 400, dana dolly 6' on roller combos, 1ton package, one set of sticks (100mm). dates are tentative as i write this. Must be a US Citizen with valid go

Hi CML peeps. Anyone know if the Mole Richardson LED fresnels are flicker-free at 60fps? Thanks! John Tarver, csc (In snowy Toronto)

Shooting 1000fps, possibly 1500fps, in the UK on 50hz. Had conflicting info on Arri Skypanels some saying they had image problems (flicker? phase?). It's mostly tabletop and a little bit wider. I've a

Hi guys, I'm shooting a music video this month. The main reference from the director is to Sia's 'Rainbow' music video in terms of style, but a different color pallet. I've done rear projection before