What have I missed?? I can’t manage many more combinations 😊 Alladin Base Lite 200 Aputure LS1 ARRI Sky Panel BB&S Area 48 Cineo Standard 410 Dedo Ledrama Kino Flo Freestyle 21 Rosco DMG Maxi Mix ARRI

I find myself gaffing and LD’ing more cosmetics application demos, reads and beauty (as opposed to straight up fashion) for several L’Oréal brands. One particular brand had set up to shoot all their w

Hey guys, has anyone been able to work/test with the new ARRI Orbiter? I'm very keen on hearing your thoughts. I came across one post on CML that had the link below in it, but nothing else just yet (o

This is the same camera first in Daylight with the LED light switched to Daylight and then the tungsten versions. They have been matched at the mid-grey on the lower chipset using CT Tint and Exposure

I have updated this video https://vimeo.com/365930726 to include reference tungsten and daylight sources. Grading is as follows to match the lower middle grey chip… Reference Tungsten CT 3184 Tint -5

One of my Fiilex P360s needs repaired. Someone dropped it on set and the bracket the barn doors attach to came off. The light still works fine, I just can’t figure out how to reattach the bracket (rea

This is an update on last year’s comparisons of tungsten and LED, this time naming the cameras. All cameras were set to preset 3200 tungsten. Tungsten is first followed by LED. ACEScct was used in all

I will be hosting a free online webinar called an "Overview of Lighting Control Data". This is a look at various Lighting Control Data protocols available today. Covering best practices and offering s

>I find ARRI skypanels a great tool but ARRI have optimized these for their Alexa chips and run the units in various modes to control how the light works with their cameras. We’ve approached them seve

Anyone know of an elegant fixture/ synch box combination that would allow a fixture to be operated at a 1/48 refresh rate (or similar) and synched to the “open” shutter or one camera but the “closed”

As usual acres of me too LED lights with no discernable reason to choose one of another. I really don't want to be negative as all the major manufacturers are reallty making big strides forward with c

Hi there, I'm considering buying Astera tubes. They are becoming very popular with gaffers here in oz. The whole system seems very comprehensive. Does anyone have any solid expereince with them? Can t

I’ve got a 1+1 interview coming up which is being shot with three cameras. Room is south facing with windows on 3 of the four walls (north facing window is white wall). There are light see through bin

Hi all. I’ve emailed Cineo about this but I suspect they won’t be awake for a few hours and I’ll be shooting soon... I was using my Mavericks yesterday and noticed blue lines on the floors. On close i

Does anyone know when the Light Source app will be upgraded for iOS 11? Thanks, Michael Banks

I’m starting a new topic on this because as usual things have gone off at a tangent. Let me clarify… We need a way to use a mixture of light sources with a mixture of cameras all of which may have dif

Has anyone made any comments about this fixture yet? https://hivelighting.com/c-series/hornet-200-c/ Regards, Ty Ford

I've got an upcoming shoot involving interviews in a hotel with big windows, and I want to hang some Rosco 275 (black scrim) to help with exposure of the outside world. The stuff's fairly lightweight,

I think that SSI, Spectral Similarity Index, is a great idea but that at the moment it’s a bit too academic. Kinda like ACES was at first 😊 CRI tells us nothing about how lights will interact with our

I had a great morning today. I went to Het Licht in Amsterdam where Frieder from Kino with Dave from Cirro Lite were giving a presentation followed by a Q&A on the possibilities of the new True Match