Does anyone know when the Light Source app will be upgraded for iOS 11? Thanks, Michael Banks

What have I missed?? I can’t manage many more combinations 😊 Alladin Base Lite 200 Aputure LS1 ARRI Sky Panel BB&S Area 48 Cineo Standard 410 Dedo Ledrama Kino Flo Freestyle 21 Rosco DMG Maxi Mix ARRI

Ok, I'm guilty of letting this sit way too long after I shot it and had most of the editing work done. Here you go - Aputure 300D mk2 vs 400w HMI and a couple other lights with meter readings. that pa

Once again, may apologies for the cross post but there are a lot of people here not on general… Frieder rom KinoFlo gave a really thorough, informative and entertaining presentation on how single sens

Yes, I am fascinated by the issue of cameras and LED lights 😊 I’ve just uploaded a new comparison complete with video, waveforms and histograms. It’ll be easier to compare if you look at the bigger im

I borrowed this meter before IBC and have had a good chance to both use it and get feedback from Sekonic. First off, I really like this meter. It’s straightforward to use and gives me the info I need

Hi everyone, I was prepping a lighting job at my local rental house in Malaysia that owns a Super Techno 30 and heard they were asked if they could attach their remote head in an overslung configurati

I’m often asked for car package interview type set ups here in NYC and the issue always becomes the client wants me to bring a 9ft seamless in my car... Typically it’s white, grey or black. I’m lookin

Bonjour ( sent from Paris ) Rob I do often use a basic PERISCOPE : that system allows to place the lens , at an average distance of 750 mm from the camera body, much closer to any surface next to the

I’ve just uploaded a page which has a selection of images all from the same position of camera and light but with different types of light. I’ll be adding more lamps/reflectors in the future. https://

What you all say about mixing quasar RGB with Astera RGB (Rainbow and Titan) on set when primary use is RGB not CCT? I was on a job the other day where client wanted a specific color and we had Arri S

This is a fair warning advance notice. I will be attending ALL the lens seminars at Cameraimage, including ARRI, Canon, Fuji & Zeiss. I’m sure that there will be others and I’ll be there. I am going t

I find myself gaffing and LD’ing more cosmetics application demos, reads and beauty (as opposed to straight up fashion) for several L’Oréal brands. One particular brand had set up to shoot all their w

Hey all, Shooting some white animals on white background next week. I advised client to go for white cove rather than trying to chroma key as fur may be fuzzy and cause issues. Planning to use careful

In the one set (8) of Astera Titan tubes that we have there are now 3 of them that suddenly stopped working, not charging anymore and don’t have any sign of life. This set is less than one year in old

I've rendered a HLG P3 version of the Tungsten-Daylight reference and LED clip. Hopefully, it makes things even clearer. https://vimeo.com/366967852 -- Cheers Geoff Boyle NSC FBKS EU based cinematogra

Hey guys, has anyone been able to work/test with the new ARRI Orbiter? I'm very keen on hearing your thoughts. I came across one post on CML that had the link below in it, but nothing else just yet (o

This is the same camera first in Daylight with the LED light switched to Daylight and then the tungsten versions. They have been matched at the mid-grey on the lower chipset using CT Tint and Exposure

I have updated this video https://vimeo.com/365930726 to include reference tungsten and daylight sources. Grading is as follows to match the lower middle grey chip… Reference Tungsten CT 3184 Tint -5

One of my Fiilex P360s needs repaired. Someone dropped it on set and the bracket the barn doors attach to came off. The light still works fine, I just can’t figure out how to reattach the bracket (rea