Hi all, I'm in the process of shoot a commercial for a marble producer here in Tuscany, Italy. The director's idea is to have 6 slabs, 2x3 mt, (6,7x9,1 ft) set in 3 rows and 2 columns, with a angle of

Hi All. I thank those who signed up for the Webinar an "Overview of Lighting Control protocols". I will be running another free webinar called "Chart Your Way" covering the benefits of charts along wi

Slabs of Marble, depending on its thickness and color can be surprisingly translucent. If it’s a white or light tone of Marble and you can procure 2cm thick (reasonably standard thickness as far as sl

What do you all suggest for getting a standard 750w leko or any smaller tungsten light hooked into stand alone wireless dimming. I know we have ratpac and so forth on larger studio set ups but I often

I will be hosting a free online webinar called an "Overview of Lighting Control Data". This is a look at various Lighting Control Data protocols available today. Covering best practices and offering s

Hi All I want to replace aerial light in studio/chroma for LED fixtures. Led spacelight There is a lot of option out there, for green screen could be just daylight. Today I have Litemat4+ with a boom

I have an old Mole Richardson Pup which has a broken fresnel and a broken door holder on the door lock. it is also missing the barn doors. MR's Phil Nadeau in the US told me that the pup was an Englis

Hi everyone, I'm just about to start on a feature, shooting 80% on a lowloader. I wanted to ask if anyone has any great low-loader night-time lighting techniques? We'll be shooting nights with 3x came

I’m interested in hearing/learning from anyone with practical experience working with these lights. Seems impressive overall, color temp, battery mobility, etc. But It may be difficult to shape. Range

Is anyone available to help me at IBC? I’m going to try and borrow a Sekonic 800 meter and then visit as many lighting manufacturers stands as possible and measure the SSI of any lamps on display and

looking for some lighting support on a surgery video in New Jersey. 7 camera shoot in an OR. Need something bright and soft, (3-4 Arri skipanel 60 - ish) Must be clean, both equipment and operator :)

I have never used any of the colored Muslin such as Day Blue, Day Grey, Night Blue, Night Grey or The colored grid cloths like Rag Place has such as Charcoal or Neutral Grey. Can anyone comment on the

Hello, Is there a place to buy a couple of 1.800w hmi bulbs in Houston for an Arri M18 ? Regards Rodrigo Lizana L. Pixine Ltda. Santiago Chile

LTM 575W HMI, mag ballast, 50’ head cable, 320 hrs or so on bulb, some wear but good shape, repainted recently. works fine. would really prefer local sale and willing to drive about 1/2 way to you. sa

A studio I am working in on Thursday are supplying 3 x Velvet 2 x 1 lights for a chromakey shoot. By the sound of things, they will space them across a bar to light the backdrop which is 20ft wide. I’

We recently used the HS Scope, part of the 4K scope software, that reads the chroma signal response from a camera, to evaluate the Rosco DMG MIX LED fixture. We used an ARRI and RED camera, preset to

I’ve been setting up two Astera AX3 “puck” lights with an AsteraBox (through the AsteraApp). I’ll be testing them with DMX control as well. I’m curious about the flicker-free settings as they are not

Hi Geoff. I read one of you previous posts about how color accurate the IKEA FLOALT lights are and how cheap they are. I looked online to find out more information about them. I found this video that

FINALLY ! got it done. chart is about 4.30 or 5:00 comparing output of 120Dmk2 vs Kobold 200W HMI vs 150w visionsmith LED vs 575 fresnel. I did readings in actual F stops rather than lux for a few rea

Just an FYI - we'll be showing all the new Lupo lights at JCX Expendables in San Francisco all week. I'll be there Monday afternoon and much of Tuesday, then back in on Friday but the full range will