Would like to know what's out there and what people have used to replicate vehicle vibration and movement on set. More specifically is there a system where you can record vibration on an actual road a

Hi all, A short film I shot needs a DCP made for festival screenings. We have a color grade that we are happy with, but I would love to do a final check/trim pass in a calibrated theater to make sure

I'm shopping around for various previs systems that can be utilised for LED volume studios, it will include environment and virtual sets and CG characters but also be expeandable to use mocap real act

In the most recent issue of American Cinematographer, there was a brief aside where Polly Morgan was talking about shooting action sequences for The Woman King and there was one line that made me scra

Here is great potential news for the three or four of us out there who want to use BRAW files in FCPX: https://www.newsshooter.com/2022/10/28/braw-toolbox-import-braw-files-natively-into-final-cut-pro

Can anyone suggest a post facility to restore badly damaged Super 8 colour film from the 1960s. Interested in a high-quality transfer. Preferably a post house in Europe. Thank you. Thomas Burstyn, csc

So I’m putting together a shoot travelling around Europe where the edit needs to be turned around ASAP. We might have an editor on location and more editors in London. We still might have two editors

Any body have experience or knowledge of XR volumes using the Sony C-LED screens? Considering a recent discussion about colour these look to be an improvement but it would be nice to hear real world e

Just mentioning this out of sheer surprise: This morning's Washington Post, on page 5 of the A Section, a full-page ad for DaVinci Resolve 17. It trumpets that Hollywood uses Resolve, and it's FREE! N

Ahhh, good point about the intended audience! That's like here in DC when major defense contractors run "ads" on the local news station. I'm not in the market for a fighter jet... Jeez, is Grant Petty

Hi all- I’m playing around with some HDR footage in Resolve Studio and viewing it on a Sony X310 monitor. I’ve found that I can feed the monitor an HDMI signal and see HDR accurately, but the UI ends

Bonjour I'm looking for examples of period piece films which have recently been shot in part in front of an LED wall/cave, either using photographic elements or virtual CG elements. Any suggestions wo

Hi all The next shoot will probably be in ACES and I wanted to get suggestions for what people are using on set for their monitoring in true 10bit. Our budget is in the 10-20K range for the monitor, m

Hi, resurfacing here after a long hiatus... Our facility is considering renting a UHD HDR grading monitor vs. purchasing another one. Most likely a Sony HX310, but I'm also open to X300, FSI XM310K or

Hi all- I’ve got a project coming up where we’re going to be shooting out in the middle of nowhere. I’m wondering what kind of hard drives you would recommend as I’m likely going to be the one who is

Conrad Hall once said: “My peers have said I have made a difference. That means more to me than winning an Oscar.” No one has made a greater difference to his peers than Geoff Boyle. Thank you, Geoff.

Thank you Geoff. I was introduced to CML by Ariel Wollinger when I asked him in 2006 how he had so much information about digital intermediate. I never write around here but still reading everyday and

I hope my cardiologist will let me move my long-scheduled stress test so I can be there… if I can figure out Zoom. (Me, I’d have used Prime…) Jeff “be there or else” Kreines Jeff Kreines Kinetta jeff@

CML Zoom on Wednesday 7th July. https://zoom.us/j/94426303343 9am LA, Noon New York, 5pm London, 6pm Amsterdam, 9:30pm in Mumbai Geoff Boyle says farewell after nearly 25 years of running CML. CML has

Has anyone by any chance got a BenQ SW2700PT? Im having some weird issues with the calibration settings. Michael. Michael Sanders: London based Cinematographer/Director of Photography. reel/credits/ki