A software developer I know is working on an application for the film industry, and would like to survey DITs about their workflow and the software they use. Though they're focused primarily on narrat

I need help. I’m struggling. I can make an HDR DCP no problem, I can make an SDR DCP no problem. How on earth do I do a split screen of SDR and HDR? I want to show the same footage split screen, pleas

Hi all, I'd love to hear peoples recommendations on a small/portable HD SDI vision switcher. I'm working on a multi camera show and need to take frame grabs during takes on my laptop for DIT notes. I

Possibility of shooting some tests with a model car but I am thinking of lighting it with moving images, probably back projected. I might need a couple of projectors, maybe three but I'm wondering how

Has anyone any experience using a DJI inspire drone to film plate shots to mix with Alexa footage? I am planning a shoot with a stunt on top of a roof. However we cannot access the roof, so we will se

Hello, My question is in regards to "on set" SSD/HD docks for cloning or transcoding. Does anyone have a recommendation? We obviously give the editor a brand spanking new hard drive each and every job

Hi guys, I know that this topic was discussed a little bit before, but I still need your help with few questions, regarding Canon C300. We are going to shoot on a green screen, and then add simple gra

Has anyone graded these cameras? Just use logC they said, yeah right, it looks like shit. I can get in and poke around and get something reasonable but thats got to be done shot by shot. It's frustrat

Okay, so… Here are the LUTs I’ve been sent. KC_NEUT4K.cube should be for correcting Kinelog encoded files from the Terra4K, KC_NEUTM.cube should be for correcting Kinelog encoded files from the Mavo.

Hello, Does anyone here have much knowledge/experience with FCPX? I’ve been playing around with ProRes Raw workflows and I’m trying to work out how to get linear light exports out of it. According to

hello, looking to upgrade my studio to master hdr and was looking for options to correctly asses hdr signal. was keen on the omnitek ultra xr, but with the new addition to aja, the hdr analyzer that u

I am asked by my producer to investigate a possible 2D to 3D conversion project. Though I have shot native 3D movies before, a 2D to 3D movie would be new for me. Any hints for best practice while sho

Hi Everyone I shot some footage of a person walking around corridors and meeting people and I've been asked to slow this footage down a little. It's shallow depth of field shot on Super Speeds and we

Can someone explain this: Yesterday I got to the hotel from a days shooting 4 x 64Gb SXS card in 29.97. The client has nicely supplied a new G tech USB C SSD and a G tech EV drive. Everything went sup

Hello all, I'm looking for a simple solution that would allow real-time composite a green-screen shot with a slider movement (pan only, no tilt). The BG would be 15' behind subject and likely green-sc

On Apr 17, 2018, at 4:06 PM, Matthew Clark <str8films1@...> wrote: Something with display port would be easiest to integrate. Love to hear your thoughts and what’s currently working for you. Anywhere

I’m probably missing something basic but I can’t see any way in R15 to set an IDT on a clip by clip basis. I used to right click either on the clip or the first node and be able to select an IDT for t

Some of you know me as a playback guy who comes in and syncs up the CRT with the camera so you don't get those ugly interference bars in the image. Bloody LCD screens kind of killed that business but

I was just watching the online press conference, a lot of CML faces there 😊 Impressive changes, incorporating Fusion seems like an incredible jump and it looks as if even I will be able to understand

Hi all, First post here and apologies if sent to the wrong area. I'm on the pinnacle of understanding how to truly work with capturing composite imagery as high a resolution as possible whilst trying