We are set to work with a pregnant cast member so no haze / atmosphere in a couple of sets we usually soften that way. Tested some smoque filters which were ok. I’m interested in testing VFX plugins t

Yes I know Geoff..... NO PC vs MAC discussion but here is some real info.. NOT just speculation... a really interesting read https://www.digitaltrends.com/computing/how-much-mac-pro-cost-as-pc/ Regard

We’re exploring utilizing lens & camera metadata, but Post is working on moving those fields over to the Avid files during the transcode. Sadly a transcode cannot yet be avoided even if it seems a lit

Finally... meaningful post-production news from Cupertino! Apple shockingly chose to reveal its new pro hardware not at Cinegear..... but at WWDC in San Jose. You can read about the basics all over th

Can anyone suggest why a clip viewed in Resolve, monitoring via BM Ultra Studio looks different when viewed in FCP X? Colour management setting of Resolve attached. Thanks. Michael Sanders Cinematogra

I have been doing webinars for a small group of around 350 pro colorists from around the world as a way to expand on the classes I teach. I thought that this might be interesting to you as it is a ver

Hi There I have a shoot coming up in London, England in couple of weeks and have been asked to recommend a colorist at the Mill i like. I know Alex Gregory's work and like it a lot but if he's not ava

Hi all. I took a couple of stills on my A7sII in RAW at a location today and was going to grade them roughly in Lightroom. Just to give the client a rough idea of what the look they are asking for wil

Some one started a talk about grey screen instead green. Last year a director call me to do this job not using green screen. He said post guys will prefer not to use green. They are working with difer

Hi Guys, I’ve been working with Super 16mm film a little bit recently and as someone who was not around whilst it was in high rotation I’ve had to learn a lot of the processes in preparation for these

Filmmaking is a team sport and communication is everything, yet departments within post tend to exist in “silos” with little effort spent or time permitted to understand the needs of others downstream

Monday: 10:00 AM - 11:30 AM Room N243 - April 8 (North Hall) The Open Effects Standard is widely used for visual effects (VFX) and video processing systems. OpenFX provides specifications to connect v

For those interested in learning more about virtual production for features and TV in an informal setting, check out this Birds of a Feather meeting at NAB: "Revolutionizing Filmmaking with Real-time

Save the date... NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over

All, I was shown a camera comparative test earlier this week which included a RED Monster 8K, Canon C700, Sony Venice, Arri 65, and Panavision DXL2, all with Leica Thalia lenses, projected on a giant

I was at the ACES talk by Pablo Soriano at the BSC show this year and as I understand it you create your deliverables with the correct ODT for that display. Could it not work the other way and you hav

some one bring the topic of grey screen. last year a director call me to shoot a green screen, but he said the post production guys asked to shoot on grey instead color. we didnt use any screen on tha

Hi all, I am experiencing great difficulty getting in touch with Sony regarding Sony Catalyst software. I have some billing issues and some technical issues. I submitted two tickets to their support p

I need help. I’m struggling. I can make an HDR DCP no problem, I can make an SDR DCP no problem. How on earth do I do a split screen of SDR and HDR? I want to show the same footage split screen, pleas

I’ve just started watching Sylvains presentation and don’t quite get why he’s changing colour space so much. Surely the idea of a colourspace is to stick to the one that works for your output device a