Hi Panasonic recently introduced two UHD OLED Monitors at 65” (TC-65FZ1000U) & 55" (TC-55FZ1000U) sizes, aimed at the client reference monitor market. They say they feature “outstanding colour fidelit

Hello all. I’m shooting a series of short narrative pieces that for various reasons need to be edited on location. We will be shooting with three cameras and the idea is to be able to off load to a ra

Hey all. I’ve just seen this in Broadcast magazine https://pta.netflixstudios.com/participating-products I’m interested in why Final Cut Pro X is not on the list. Presumably there is a questin about F

I've just come from IBC a test showing of my presentation. I have a QT file in ST2084 pq1000 and now they tell me they can only run a DCP They've had the file for two weeks!! I'm going to try and make

Hi All, forgive me if this has been discussed, I've just joined the 'post' group to see what's happening about this, if anything. I'm shooting a drama series for Fox and I've just finished grading an

Hi all I'm about to shoot a Tv drama series, and trying to choose how to approach the driving scenes. I tend towards backprojection for the ability to get the backgrounds that I want. If I Shoot live

I've been using this for a while now and have subscribed. For all of you using Windows this is an essential, once you get your head around the interface, and it hasn't changed since I last used Scratc

A software developer I know is working on an application for the film industry, and would like to survey DITs about their workflow and the software they use. Though they're focused primarily on narrat

I need help. I’m struggling. I can make an HDR DCP no problem, I can make an SDR DCP no problem. How on earth do I do a split screen of SDR and HDR? I want to show the same footage split screen, pleas

Hi all, I'd love to hear peoples recommendations on a small/portable HD SDI vision switcher. I'm working on a multi camera show and need to take frame grabs during takes on my laptop for DIT notes. I

Possibility of shooting some tests with a model car but I am thinking of lighting it with moving images, probably back projected. I might need a couple of projectors, maybe three but I'm wondering how

Has anyone any experience using a DJI inspire drone to film plate shots to mix with Alexa footage? I am planning a shoot with a stunt on top of a roof. However we cannot access the roof, so we will se

Hello, My question is in regards to "on set" SSD/HD docks for cloning or transcoding. Does anyone have a recommendation? We obviously give the editor a brand spanking new hard drive each and every job

Hi guys, I know that this topic was discussed a little bit before, but I still need your help with few questions, regarding Canon C300. We are going to shoot on a green screen, and then add simple gra

Has anyone graded these cameras? Just use logC they said, yeah right, it looks like shit. I can get in and poke around and get something reasonable but thats got to be done shot by shot. It's frustrat

Okay, so… Here are the LUTs I’ve been sent. KC_NEUT4K.cube should be for correcting Kinelog encoded files from the Terra4K, KC_NEUTM.cube should be for correcting Kinelog encoded files from the Mavo.

Hello, Does anyone here have much knowledge/experience with FCPX? I’ve been playing around with ProRes Raw workflows and I’m trying to work out how to get linear light exports out of it. According to

hello, looking to upgrade my studio to master hdr and was looking for options to correctly asses hdr signal. was keen on the omnitek ultra xr, but with the new addition to aja, the hdr analyzer that u

I am asked by my producer to investigate a possible 2D to 3D conversion project. Though I have shot native 3D movies before, a 2D to 3D movie would be new for me. Any hints for best practice while sho

Hi Everyone I shot some footage of a person walking around corridors and meeting people and I've been asked to slow this footage down a little. It's shallow depth of field shot on Super Speeds and we