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Re: HDR in the real world

Re: HDR in the real world

Geoff Boyle

Of course we need standards in grading, I’m not arguing against that.

What we need are output transforms that more accurately reflect viewing conditions.

On my domestic set I have 2 calibrated options for day or night, for Dolby I have bright and dark.

I simply think we should have a few more options including “bloody bright” 😊

Also, it’s all very well having a domestic monitor in a grading suite but if the suite isn’t lit to domestic levels then it’s pointless.


I think we’ve found next Wednesdays discussion topic!


Geoff Boyle NSC FBKS
EU based cinematographer
+31 637155076





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