Re: Venice evaluation
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The idea is to have a level playing field.
All cameras are output to 16bit EXR in ACES AP0 using manufacturers software where possible.
Are you suggesting that the Venice outputs more data than ACES can handle?
Geoff Boyle NSC
On 24 Mar 2018, at 13:58, alister@... wrote:
Its a shame these weren’t saved as original raw or X-OCN frames (You can extract single frames using Sony’s Raw Viewer). Then you could use the metadata tools in Resolve to adjust the exposure, lift, gamma, gain, shadows, mid and highlight levels used for the de-bayer. I’ve found that Venice material has a lot of stuff way down in the shadows that is easiest to recover using the metadata shadow and lift controls. Same with the extreme highlight range. You get very nice exposure shifts simply by using the metadata ISO control.