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good camera body for steadicam to intercut with Venice footage

good camera body for steadicam to intercut with Venice footage


Roberto Schaefer, ASC, AIC
 

On the show I'm starting we might not be able to source a 4th Venice body so I'm considering an alternative for the steadicam use. There will be day, night, all lighting conditions. Any knowledgable suggestions for a camera body PL mount that can handle anamorphics that might be more available? In the UK. We're shooting 6K and framing 2:1 by pillarboxing.
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Roberto Schaefer, ASC, AIC
London, England
The Key To The Light Is In The Dark

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