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Re: good camera body for steadicam to intercut with Venice footage

Re: good camera body for steadicam to intercut with Venice footage


Daniel Chung
 

Roberto,

If you are shooting 2x or 1.8x anamorphic I would recommend looking at the Sony FX9, Z CAM F6, S1H or Kinefinity Mavo LF if you want a 4K final output. After the FX9 my guess is the Z CAM will match the Venice the closest. 

A7S III and FX6 won’t give you the same resolution with anamorphic 

I have Z CAM and Kinefinity here if you want to try. S1H is easily borrowed.

Dan






On Tue, 20 Apr 2021 at 19:43, Ganzo <roberto@...> wrote:
On the show I'm starting we might not be able to source a 4th Venice body so I'm considering an alternative for the steadicam use. There will be day, night, all lighting conditions. Any knowledgable suggestions for a camera body PL mount that can handle anamorphics that might be more available? In the UK. We're shooting 6K and framing 2:1 by pillarboxing.
--
Roberto Schaefer, ASC, AIC
London, England
The Key To The Light Is In The Dark

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