Is it me, or does the Coke can look very orange in E? I think D is a Panasonic camera. My experience is they push the red’s more. --- Graham Futerfas Director of Photography Los Angeles,

E for me. Best dynamic range and skin tones for me. Only camera that doesn’t appear to clip in the skin.

G all the way for me. I like the skin tone and texture. Seems to me that it also has the most subtlety in grey scale. Really low noise level, too. Cleanest key, though I guess thats out of bounds

An interesting test, thanks Colin. It's a shame about the keyed greenscreeen - I have no doubt that seeing keying artifacts is colouring my judgement of the different cameras. For me, the winner is

Yes - exactly that. I posted previously (it was rushed and had a few problems) and people felt the green would influence colour perception too much so I keyed it out. As for F: it is indeed in focus.

Day after tomorrow? I dunno. What’s a good length of of time to allow answers come in? If you’re desperate email me off list and I’ll let you know. But I want people to vote first! Let’s keep

D is far and away the clear winner both on skintone and the other colors in the wide shot. In comparison all the others feel like they lack bit depth. They feel "thin". Presuming D's the Amira (and

When will you make the big reveal? I'm super curious as to what was what...-- Fahnon Bennett Filmmaker/Photographer Brooklyn, New York 323.375.4332 www.vimeo.com/fahnon

Maybe I missed your earlier post… what’s the green fringing? Was it a green screen that you turned grey? I like the color rendition on C, but I guess my favorite is G because its sharper and also

Interesting to see the other votes as they come in. Looking forward to seeing what's behind "door #1"! John Tarver,csc DP in Toronto

No need to worry, just celebrate the fact you’re a cheap date. I don’t think it will be a huge strain to adjust the skin tones to match the Amira. It’s mostly subtle tweaks I think. That’s

I'm actually finding it a challenge to react to color alone and not the apparent sharpness/focus differences, but I'd take A, D and G looking at the wider shots. Also worried I just shat on Arri in

Well, this is interesting (if not more confusing) when you include the wide shot. D and E looked best to me in terms of flesh tones on the CU's only, but when viewing the bigger picture, E is just

I’m so sorry everyone! There was a bad link in there! (God I’m crap at this). New link below. https://vimeo.com/335478017 Vote here: https://cml.news/g/cml-raw-log-hdr/vote?pollid=5666 Sorry!

I'm unauthorized to view the video.-- Fahnon Bennett Filmmaker/Photographer Brooklyn, New York 323.375.4332 www.vimeo.com/fahnon

You need to Change the privacy settings! Michael Michael J Sanders London based Cinematographer/DP Mobile: +44 (0) 7976 269818 Web: www.mjsanders.co.uk

Took a look from the original file downloaded from Vimeo, on an iMac Pro 5k screen. I prefer A (which I suspect is Amira), C and G. What's really interesting to me, is how differently these cameras

I'm assuming the Amira is the control. -- Fahnon Bennett Filmmaker/Photographer Brooklyn, New York 323.375.4332 www.vimeo.com/fahnon

At this point, E and D capture the nicest flesh tones to me, in that order. A, C, H, G all seem to skew either blue or magenta (in general, in the shadows, or both) F and B flesh tones both appear to