Kris , you still have not explained what you’ve tried already . Leonard Levy DP San Rafael Ca

What have you tried so far and what is the image you’ll be shooting , especially its contrast range . What looks bad to you and how are you looking at it ? . No point in telling you to try stuff

Hi all, we have made a while back an app to convert ProRes RAW files to Cinema DNG sequences called RAW convertor ( https://www.rawconvertor.com/ ). Now we support both Windows and

Adam ... here's a link to a YouTube webinar hosted by Ripple Training that explains its use in FCP. The webinar starts at 1PM PST on Monday 2023/01/30. Native BRAW Editing in Final Cut Pro with Chris

BRAW Toolbox (https://brawtoolbox.io) lets you use Blackmagic RAW files natively in Final Cut Pro, without transcoding. Some

I’m a bit late to this, so sorry about that! A number of the streaming services use HDE for their productions. It’s extremely common for productions that shoot ARRIRAW. I’ve not heard of anyone

I’ve done 2 features with HDE, it’s fine but not great. Total offload speeds are around 600-700mbps; it gets tricky when you’re shooting 3+ cams; if storage isn’t a problem I’d rather have

Hello Augustin, In Europe, and all US feature and series (including major streamers) shot in our region, since the LF onward, HDE is almost exclusively used. Most of the arguments are because of the

Hello there! I would like to know of real actual experiences shooting ARRIRAW and using HDE for feature films, commercials or series in the past years. Any advices or precautions we should take

Thank you Nick for clarifying and sure adding to the confusion. Lol. Anyhow, this is what I need to do. It is live production, so no post. UHD camera signal to Ultimatte 4K. From Ultimatte to

I'm not familiar with V-log but I have used LUTCalc a lot and its great. I didn't realize it had been updated so it does have settings for V-log and rec 2020. I'm sure It will get you there.

The main question is what you want to transform to and how. V-Log is a transfer function (curve) normally paired with V-Gamut primaries. It is a scene-referred encoding. BT.2020 specifies a set of

Not a Mac person. I see there are a bunch of LUT generator apps out there. Question is how accurate and professional. --------‐-------------‐---------------------------------- Ulf

Ofcourse. Would that be the GBP 65 lut management version? --------‐-------------‐---------------------------------- Ulf Soderqvist Director/Director of Photography imdb.me/ulf -- Ulf

Could you generate one with LUTCalc? https://apps.apple.com/gb/app/lutcalc/id1000409621?mt=12 ----------------------------------------------- Nezih SavaşkanDirector of Photography + Camera

You can very easily generate one with ColourSpace... Steve

Hello Friends, I am searching for a conversion LUT for V-LOG to BT.2020 to load on to Lumix S1H and also for BMD mini converter. Any ideas where to look? Panasonic only has to 709. -- Ulf

Hello Miga, Hello Elvis, Thanks for the input. That was also my understanding from reading some papers from Sony and other sources. Of course will follow whatever VFX requires, just wanted to

Another vote for XOCN ST being great. Did a show and tested with VFX company, ST was plenty. We shot full sensor 3:2 so VFX had more scene information for tracking. -- Elvis

Hi Emmanuel, In my experience X-OCN XT is absolutely sufficient for any type of VFX work, especially when shooting 5.7K. Depending on the type of VFX work and your delivery format(s), X-OCN ST will