Without seeing parade RGB or what the chart looked like it's hard to know if the cameras are perfectly white balanced. The Alexa red is a little on the cool side, which is what I would expect, but the

Same as before but from Prelight this time. In reverse order. Varicam, Helium, F65, F55, C700, Alexa-SXT Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

Once again, matched exposures and saturation in ACES but in Prelight this time. Normal IDT, contrast .85 Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

I have always thought that there was an issue with the S-Log3 IDT in Resolve (and reported it to the Resolve team) which results in the skew you see on the F55 and F65 vectorscope images. I have

Something does not make sense: Red is slightly off in all cameras? Cyan is not able to get to a saturation point in the Sonys? ? Argyris Theos, gsc DoP, Athens Greece, theos@... +306944725315 Skype

The same settings as in the vector scope test but now with saturation levels matched to the Alexa. Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

These are from matching frames from the July tests. In ACES in Resolve with just the relevant IDT applied, contrast set to .85 and colour centred with offset. Alexa SXT, C300-2, C700, F55, F65,

I've played with LAB in Photoshop and created some very cool looks with color contrasts. I didn't know it was in Resolve, although I'd long wondered why this wasn't a secret colorist tool. Maybe it

Can confirm the LAB trick - I’ve used that a bit before. Great for playing with saturation without skin tones going crazy. Thanks for tip on LUTCalc, looks like a very handy little tool.

_________________________________ Last time I tried it Resolve was able to read it fine. Click on a clip and go to Inspector and make sure it is showing everything. Glad you got

I’ve used LUTCalc to create an SLog3 to LC709A LUT in the past. With the various customization features it has, it’s very simple to add a gamma tweak. Stuart Brereton DP, LA

Yes indeed! Since a quick LUT wasn't possible, I have two go-to adjustments for quick dailies. To get log gamma back to something looking good at 2.4, I finessed a custom curve in regular "YRGB"

>a custom curve with some LAB color contrast expansion sufficed. Is that LAB as in the color space? -- Art Adams Director of Photography San Francisco Bay Area www.artadamsdp.com

Unfortunately it seems that Sony is somewhat opaque when it comes to any API for XAVC, so I don't believe Resolve has any such access to reading metadata from the files. As far as I know, Catalyst

Thanks for this. A clue was that the "Monitoring descriptions" listed SLog2. Regardless, I created my own custom curve in Resolve. I had been hoping for a quick and easy LUT for dailies like the

_________________________________ I have an FS7 but never user Catalyst Browse. What does Resolve say? Robert A. Ober IT Consultant, Vidcaster, & Freelancer

In theory, a "user defined curve" is just that - something the user created with a program (Catalyst Browse for example) or downloaded from someone who did and then loaded it into the camera. Without

As I recall, in addition to the standard set of gammas the FS7 allows you to load custom gamma curves. "User defined curve 9" would seem to be one of those... (If there's no signature it means I have

Hi folks, I instructed a shooter with an FS7 to shoot in SGamut3.cine/SLog3, but I'm almost certain that the footage I got back is SGamut/SLog2. Catalyst Browse is telling me that the capture gamma is

https://www.dolby.com/us/en/experience/dolby-atmos/bluray-and-streaming.html From: <cml-raw-log-hdr@groups.io> on behalf of Bob Kertesz <bob@...> Reply-To: "cml-raw-log-hdr@groups.io"