I spent ages trying to get figure out why I couldn’t find the HDR transfer curves on an X300 very recently - a PVM-X300 which is the SDR LCD model. As current consumer TV’s also run into average

You are correct - it has ABL/Power saving issues, not haloing. My bad! It is other LCD displays (mainly home TVs) that have limited backlight zones. We've been doing so many display/TV evaluations

Oh, since you are in Kiev I recall they had good lab about 5 or 6 years ago. You may screen there perhaps Argyris Theos, gsc DoP, Athens Greece, theos@... +306944725315 Skype

An idea might be to burn a minute or less to dcp via any of the free programs. Then screen it at a local theater. My 2 Eurocents Argyris Theos, gsc DoP, Athens Greece, theos@... +306944725315 Skype

Testing is not so easy as I’m on location with only a laptop and no proper 4K display to view scaling on. Hence my request from others with experience shooting anamorphic with the Alexa. Bruce Alan

a) Test test test b) Input Scaling in Resolve does it and can be batch applied to all clips in seconds c) Prefer the assistance of a competent colorist, they know a thing or two d)

This was originally a kind of Resolve/post question, but I'm really interested in the best camera settings. The question below refers to RroRes settings in the camera, but perhaps recording RAW might

Alfonso, Thanks for posting your lovely footage. The market with it's colors and all those wonderful faces, was stunning. It was really great to see how the camera handles different skin tones in

Apologies, speaking to my iPhone the initial “Not” in my previous post was omitted by Siri. And the signature. I must have annoyed her. Brian Heller IA 600 DP

The usual movie way – trainer off camera with 50 identical birds ;-)

Thanks Bob, But how did you get the bird to fly perfectly through frame on cue in the opening shot? ;-) Just luck, being in the right place at the right time. Effectively, what I liked most

Some very pretty footage, and really nice flesh tone rendition through a broad range of people. The colors in the market were gorgeous. But how did you get the bird to fly perfectly

Hi Michel, yes, I use my sopt meter to read some values, for example, those shot in the market completely dark, it is exposed to the sky and the range in the shadows is between -4 and -7 stops. The

Thanks Alfonso. Lovely images and really interesting to see what the camera can do. And thanks for making it downloadable so we can watch it without buffering and with “less" artefacts. I don’t

Correct me if am wrong, but the BVM-X300 is OLED so doesn’t have a backlight as every pixel is it’s own lightsource and as a result doesn’t suffer from limited backlight zones etc. Perhaps your

The Eizo Prominance CG3145 is certified for HDR mastering, and suffers none of the issue the Sony X300 has, as it has a 'backlight per pixel'. The Sony suffers ABL/ASBL type power saving issues. With

I think that this is as good as you’re going to get in your price range. http://www.eizoglobal.com/products/coloredge/cg318-4k/index.html It only gets to 350 nit but in reality that’s what

Gorgeous. Thank you for explaining all the specs in the description… I was about to ask about all of that here. Again beautiful photography and thanks for uploading the test. Cinematógrafo

Dear colleagues, in the link you can see the tests we did with the VENICE camera in Cartagena de Indias in Colombia. https://vimeo.com/272088733 In Cinegear I will comment my experience during the

<<Any lower end priced HDR professional grading monitors? Around or under $3,000-$5,000>> I attended NAB 2018 - and from what I was told and shown there, for a "professional grading" 4K HDR monitor