I have a project coming up and we are planning on finishing it in Black and White. I will most likely have to use the Sony FS7 for this with an Odyssey Raw recorder. The setting of the film is the

Thanks, we need the funds 😂

YoullY need to revisit as it now looks exactly like the main CML site and all thr links work back. When the new tests are up it should be transparent, you will only be able to tell which site you're

I’ll cop to visiting from a smart phone - I’m waiting for my desktop machine to reboot, and clicked the link to see what cameras were included and if it would be worth visiting from an environment

Thanks so much Geoff. I'm personally grateful enough to have just become a supporter (have been for a long while but just put my money where my mouth is)...-- Fahnon

It’s now up to 20% of visitors are using iPhones. I’d love to see the iPhone that can cope with 8GB raw camera files. Cheers Geoff Boyle NSC

Just let me know if there is anything wrong with it. cheers Geoff Boyle NSC EU based cinematographer +31 637155076 www.gboyle.co.uk

Thanks Geoff! Is it weird that I’m more excited by these camera evaluations than the World Cup or Royal wedding? Colin Elves Director of Photography Berlin

Finally, its all working, i had to remove file size limitations. It didn't want to work with files over 5Gb, there's now one that's 16GB 😂 Geoff

The links are all working now, an idiot hadn't re-linked them from the test server to the live one. I've fired me. Geoff

I needed a good laugh and boy have I got it. 14% of the people visiting the new site so far have used a smartphone. The average file size is 8GB... Geoff

In anticipation of the 2018 Camera Evaluations I’ve setup a new website, it’s really a sub web of cinematography.net Currently there are some test files there and if you’re interested in raw

That’s interesting. My long ago memory of Godfather 3 was that as the film went on it darker and darker in Italy and started falling into the mud though I can’t remember whether it was noisy or

That’s the point isn’t it. I feel a rant coming on, heading over to CineRant to vent 😊 I may cross post here. Cheers Geoff Boyle NSC

A further note on Gordon Willis. Godfather, Part III was shot with a thick negative. The Technicolor IB process was no longer available to him like it was on the earlier films, so Willis exposed

A quote from CH, it’s only roughly what he said my memory is … “the secret to good photography is contrast and there are many ways to create that” You mention films he shot that were

It's been pointed out to me that I contradicted myself, saying that Hall and Willis didn't underexpose their images, but that Jack Green didn't want to underexpose the way Hall did. Let me rephrase:

M: Argument is an intellectual process. Contradiction is just the automatic gainsaying of anything the other person says. O: It is not. -- Art Adams Director of Photography San Francisco Bay

Neither Gordon Willis nor Conrad Hall "underexposed" their images. They exposed them exactly the way they wanted them. Sometimes that meant working in the toe. There are several sequences in Jennifer

No, this is getting hit on the head lessons. Abuse is done the hall. MM