I understand this only too well Mako, this was a “real” DIT who got carried away looking at all the material from all the different cameras and was momentarily distracted. I won’t say who it

Daniel Rozsnyó wrote on 7/16/18 14:55: Point of clarification, x.264 is a version of a H.264 compliant encoder. The encoder can be whatever someone wants to program as long as the result can be

Or AJA's for that matter. Generating a ProRes file with ffmpeg, then transferring it via network to an AJA KiPro or KiproRack will result in the file appearing in the deck's file list but not

I just went to the site and did a search on ProRes and ProRes codec, and came up with zero results. Which versions support exporting in proper ProRes? Any limitations? Will it output ProRes 4444 with

I can't speak for ffmpeg specifically but there have been a few windows 'compatible' versions of ProRes sold as actual products and i can front line attest to the fact they're not the same and the

And yet none of its three ProRes codec implementations would pass the Apple's strict quality standards. Apple does rightfully stand against using ffmpeg here:

On Jul 15, 2018, at 22:59, Geoff Boyle <geoff@...> wrote: don’t tell me I should have had a DIT, last time this happened was the last time we had a DIT! *************** There are downloaders, there

My guess is that Geoff has his hands full and may not be interested in mucking about with installing ffmpeg and figuring out the proper set of command-line arguments to get it to output Prores 4444

Dp Bill Bennett, ASC lead us on that shoot … hopefully he will Reply. Bill please check out this thread on CML. makofoto, S. Pasadena, CA

Hi Mark, I think you are looking for TrueMotion by Real D: https://www.reald.com/#/truemotion Although I did install a trial once, I didn’t have the chance to really test it and see if it performs

Hello Mark. Real D - True Motion http://www.reald.com/#/truemotion The demo clip was shot on an ALEXA. The software can work directly on ARRIRAW frames. Best, _utsi.

What Tessive did with TimeShaper is a lot more sophisticated than anything (I believe) After Effects will do. TimeShaper uses sophisticated filter kernels, similar to those used for high quality image

That's the one! Thanks Nick, finding it was beyond my google keywording abilities! Cheers, Mark Kenfield Cinematographer www.dreamsmiths.com.au mark@... 0400 044 500

You can do that in Adobe After effects. ‘Interpret motion blur’ or something it’s called. I’m sure you can keyframe it too. Colin Elves Director of Photography Currently Bucks

I'm guessing it may have been RealD TrueMotion. What Was previously Tessive TimeShaper http://reald.com/#/truemotion http://tessive.com/time-shaper-info/ Nick Shaw Workflow Consultant Antler

Hi everyone, I'm trying to track down a link to a HFR software demonstration I saw not too long ago. They'd shot demo material (of dancers in an airplane hangar I think) on an F65 at 120fps. And

Yeah and I can fly to Australia to do the tests in consistent daylight. It all costs money. Cheers Geoff Boyle NSC FBKS Cinematographer Netherlands www.gboyle.nl

You can produce ProRes files on a windows computer with Assimilate Scratch, so no need to transfer everything to a mac. Virgil Kastrup Post Production Supervisor Denmark +45 28181579 rgba.dk --

I’m in the process of cutting the rushes down to 1 second clips. It’s easy in some software to cut the raw files down. It’s not so easy with others, it’s a brute force job and with 50

OK, I’m closing this thread. Any more posts about lighting will be in the lighting list. I don’t understand the constant sniping at doing the tests with different light sources, we’ve