No skin in the game but i used to have an FS700 and the F7 isn't that different. IMHO the onboard colourscience is terrible or at least skewed towards a different aesthetic. SGamut is as well.

The Sony IDT has two transforms - one to convert SGamut to ACES color space and one to convert slog3 to linear gamma. In theory they should yield the same result as the default custom mode or Sony

Sony is one of those cameras, and I have found the Resolve debayer has been optimized (by BMD) in ACES and the Sony has not. Developing from RAW is a large part of the art. Most of the

I always use ACES for testing as it is manufacturer independent and cross platform compatible. Some cameras have multiple IDT’s available, but these are generally to optimise the system for

You just need to get the Rawlight OLPF for the UMP to get rid of the aliasing. I tested this and found negligible loss of resolution and a 10 shift to green, cheers Geoff Boyle NSC FBKS EU

On Thu, May 16, 2019 at 5:59 PM Jan Klier <jan@...> wrote: "This seems like a sound way to do an objective comparison. ACES provides a good common denominator and IDTs are supplied by the camera

This seems like a sound way to do an objective comparison. ACES provides a good common denominator and IDTs are supplied by the camera manufacturer. So what you saw should be how each camera

Granted I’m an FS7 owner so maybe this is just sour grapes, but isn’t what you are really comparing the post process each of these cameras has gone through not the cameras themselves. That’s

Thanks for taking the time to do this test. Comparing cameras is certainly challenging. Originally I liked G and C the most. Just invited several people in to look at it as well and they all came to

Wow apparently I love Panasonic color. I’ve always loved Blackmagic color so no surprise there, but I’m pretty surprised I didn’t respond to either Canon or RED considering how much I love them

Native ISO: 2000. Used the Slog3 Sgamutcine IDT (it whatever it’s called) in ACES. Colin Elves Director of Photography Berlin.

What EI was the FS 7 exposed at and what LUT did you use for it . San Rafael Ca

Please don’t use this to judge how well they Key. It was all done quickly using the qualifier in Resolve. The biggest factor that effected the narrowness of the key was noise on the screen - which

Very interesting test. Despite some issues (fixed pattern noise above ISO 800) I really like the look of the BM Ursa Pro. Have intercut with Alexa for a few shots and no one was the wiser. It

Jajajajajjaja!! 0 points!!! Si no se fuera a negro sin avisar sería mi chica perfecta! Enviado desde mi iPhone

Actually, I can't see any green at all on the Xrite chart for the winner, G. Noel SterrettAdmit One Pictures

Skin Tone Shootout Results! 

Here are the cameras:

 Camera A: Panasonic GH5s Camera B: Canon C200 Camera C: Arri Amira
Camera D: Panasonic EVA1 Camera E: Kinefinity Terra 4K Camera F:

Don’t vote based on noise or the cleanliness of the key - this test doesn’t really address either for various reasons. As for accuracy? Who wants accuracy. If people wanted accurate skin tones no

Interesting what a different story the new version tells. The wide shots especially. Thanks for posting. https://cml.news/g/cml-raw-log-hdr/message/1275 Jordan Cushing DoP Milan

That’ll be the contrast curve. None of the cameras are clipping the skin tones at this point. I’ll put together the DR test later and you’ll see which one clips where. Colin Elves Director of