Hi everyone! I'm looking into the Freefly Wave as an alternative camera for those quick, lower budget tabletop shoots. Obviously there's no comparison in terms of quality to even an older Phantom or

Hey James, Yes and no. We needed a vertical curved cyc type installation, and the panels were originally arranged in a long horizontal curve. So to simplify configuration it was decided to split the

Was there a good reason to install them in a different orientation? Do you recall the led manufacturer? Who teched your wall and who was responsible for the content? LED Walls should have a Hz rate

Sawtooth is a refresh rate issue in the wall. Basically the wall is not refreshing fast (or slow!) enough to fill the camera image. Yes, it’s much more noticeable when the camera is angled to the

We just wrapped an LED shoot in Thailand where we experienced a sawtooth artifact effect. we spent many hours troubleshooting and ultimately we believe it was due to the orientation of the panels

Thanks for the prompt responses, everyone. And thanks of course to CML for providing this forum that reaches so many. A Sony rep kindly reached out moments after I posted the email and I think we're

Sony recently replaced some XQD media for us that was still under warranty. I reached out to Sony service and support at 877-591-7669. I spoke to a friendly human being who sent an email , and the

Hey all, I've got a Sony AXSM512GB S48 card that stopped working while in camera (F55//R7). AXS Utility will recognize it but can't repair, mount, or reformat. I called Sony (thru standard

Thank you Pawel, and team. Very helpful in knowing what tool will provide specific results. Your 9x7 rules when it comes to clarity. Perfect for the natural cinematography work. And to see the LF very

Hi Everyone, Here is range of camera tests performed earlier this year for GSCA Innovations (Technical) Committee. In the line-up we have some cameras that were of interest to the Giant

Thank you Pedro, the link to the gocreative show was super helpful. I'll be testing the camera along with my A7SII on tuesday and report back on my reults for the special looks I'm trying to

Hi, In this interview, Alex Williamson, one of the executive producers of the show, says they used a bunch of systems but the workhorse was the Canon ME-20 camera, up-rezed to 4K. They also used

Does anyone know for sure which cameras were used to make the Apple TV+ show "Earth at Nigh in Color"? The images are stunning and I have read that they only shot for about 3 nights per month in order

Michael, I'm sorry but I have not compared the two ISO values, I would not dare to guess the results, but if I make an analogy with the 800/4000 values in these I do not notice a difference at all,

“Of course there are differences from budget to high end, but not having a high end camera is no longer an excuse for not producing incredible looking content.”.... Exactly. Thank you Alister.

Alfonso. Have you done a comparison between Scinetone at 320 and at High base 1600 ISO? I’ve struggled to see any difference between the two but would love to know what you think. Michael. Michael

I completely agree with you, although the difference in DR is not very large in the two ISO values, it is observable that the roll-off of the highlights is more pleasant at ISO 320 than at 800. It is

Hi Alfonso. This agrees with my own findings. A touch more DR at 320 than 800. For me though the biggest difference becomes visible during practical shooting where at 320 ISO the final highlight roll

Alister, I have tested the FX9 camera with the S-cinetone curve with the value 320ISO / 0Db In the analysis of the Stouffer scale, the total RD with a value of 320 ISOis 9.37 stop and with a ISO 800

I would recommend the Sony FX9 as the FX6 and FX3 have an image Sharpening feature that cannot be defeated, at least with the present firmware... SONY are you listening? Cynthia Webster DP Los