That's weird it works for me, but not for you. Here's what they said (screengrab attached): "The installation of third party OLPFs prohibits us from performing the work required on our end. Adding to

Purely speculation on my part, but I'd bet this is similar to the ND situation. Up until the Ursa Mini Pro G1, BMD hadn't put NDs in any cameras. Unofficial word on the street was that they didn't hav

It's a tough situation because your product is clearly good (some would even say necessary). I wish you could have your OLPF installed by BMD or order one with the OLPF pre-installed. I'm sure you've

Late on this response, but the big downside to the aftermarket olpf for the Ursa Mini is that it will void the warranty and BMD will not service the camera. They’ve confirmed this on their official fo

Wow apparently I love Panasonic color. I’ve always loved Blackmagic color so no surprise there, but I’m pretty surprised I didn’t respond to either Canon or RED considering how much I love them in gen

When will you make the big reveal? I'm super curious as to what was what...

#poll

I'm actually finding it a challenge to react to color alone and not the apparent sharpness/focus differences, but I'd take A, D and G looking at the wider shots. Also worried I just shat on Arri in fa

#poll

I'm unauthorized to view the video.

#poll

Took a look from the original file downloaded from Vimeo, on an iMac Pro 5k screen. I prefer A (which I suspect is Amira), C and G. What's really interesting to me, is how differently these cameras re

#poll

I'm assuming the Amira is the control.

#poll

Excellent. Having to deal with having an IR filter constantly take a slot in my matte box was a minor annoyance when I owned an Ursa Mini. That version didn't have built-in ND, so you needed a 3-stage

Thanks so much Geoff. I'm personally grateful enough to have just become a supporter (have been for a long while but just put my money where my mouth is)...

It looks exciting, and I'm assuming that it will be widely adopted. RED and Blackmagic in particular would be a great fit for in-camera recording, and I wouldn't be all that surprised to see Blackmagi

Anyone else think it was an odd decision to go with a $7k bolt-on recorder as the only way to get raw out of their flagship when their mid-range C200 conveniently does it internally? I'd also be shock

I'm also looking for something affordable to monitor HDR (although grading is more important to me). My paying clients don't care about HDR (yet), so I really need it for my personal work, which means

Thanks for doing this, Geoff. I own the C200 and am very curious about what you have to say in stage 3!