To be honest, I'd guess that you might be dealing with nothing more complicated than under-exposure here. It's a common thing in slow motion footage from people who haven't tried it, because it's easy

12-bit raw footage with linear encoding clips harshly, and loses some highlight forgiveness (witness the AJA Cion). Log encoding enables 12-bit raw to deliver quality comparable to what's possible wit

I like having a raw option, but I don't see any point in uncompressed raw. It's a waste of space, even for workflows requiring raw since even a lossless codec can save a lot of space, and a clip based

There really isn't in my opinion much wrong with the fp, except for being from a company that isn't known for cameras, even though it's been making cameras for a long time. IMO the relatively low acce

cDNG's days were numbered long before Adobe blew it off. It was really just a hack to to encode raw video without having to pay for a codec license or a lot of R&D, so it's a good choice for a starter

From what I understand, Light Iron has built its own look for the Millenium cameras that does differ from the "stock" Monstro look. I think it's essentially an in camera color grade rather than some p

"Guys, if you try for a class action on this you should also try for ones against all the manufacturers for marketing 4K cameras that aren’t, that’s the photosite count not the pixel resolution." That

ProResRaw is also supported in Scratch and BaseLight. ----------------------------- Rakesh Malik about.me/WhiteCranePhoto Director of Photography, Colorist http://WinterLight.studio

As Sean pointed out, Red doesn't specify the color space and gamma when you use IPP2. They leave it up to the developers. Since IPP2 uses RWGRGB + Log3G10 in camera, the correct defaults when the meta

Most post applications still seem to get the settings wrong with IPP2, so I just override the Red settings on every project. The apps should however read the camera metadata and set the parameters cor

I haven't done a direct comparison, because I've been too busy shooting. :) That said, I have submitted some stills shot in stills mode as well as pulled from motion pictures to stock sites and art ga

It doesn't jive with my experience using a Helium. I've been able to extract print quality frames from motion footage, as well as make some rather nice stills with a Helium camera. IPP2 doesn't have a