I’d expect nothing less from CML. Colin Elves Director of Photography Brussels

I agree 100% with Alister: the frames are too small to judge (😃) but my initial assumption would be that it’s fixed pattern noise. Most cameras address this with a black balance. If that’s not an opti

Some of us prefer to communicate with pictures for example: Oh, look, a young person with creative integrity. Colin Elves Director of Photography Brussels

I think you should be able to resolve this by using the right quicktime tags on export. This guide is useful: https://www.thepostprocess.com/2020/07/17/color-on-mac-displays-from-davinci-resolve-to-th

Surely that’s due to a loss in resolution? Even if after processing it appears to be a loss of colour resolution. It certainly looks like the sort of aliasing you get with cameras that ‘pixel group’ t

One would assume that the monochromatic pixels hit saturation before the coloured sensels do so it might not be too surprising that the camera appears to lose resolution once they have, no? Colin Elve

Hi Matt, A couple of quick questions: 1. is the 12bit Raw log encoded or linear? 2. Can the S1H record internally while also outputting Raw? Thanks! Colin Elves DP, Berlin

Although looks like there might be some funny noise in the reds when shooting slowmo. Noisy reds Seemed to be a thing on the C200 as I recall.

I must admit, I’m intrigued by the dual gain architecture available on the C300mk3 - a stop and a half extra DR on the C500mk2 would put it in line with the Alexa, no? According to this ‘hands-on’ rev

I believe the AG Dok crowd did a big test at the beginning of the week including the S1H and the EVA1. So they are worth contacting. I know Cristopher Rowe was involved and occasionally posts on here.

I don’t fully understand why BMD designed the camera without an OLPF. You guys seem to manufacturer them so cheaply it can’t have added too much to the cost. Colin Elves Director of Photography Berlin

Totally, I would absolutely have loved to have had a darker skin tone option as well. Sadly, as I’m sure Geoff will attest, organising such tests involved a lot of work, time (and often money) and, qu

Sigh… Sorry about the bad headers thing. That’s an annoying interaction between my iphone and my mail server that happens when I reply to long email chains. I’ve yet to find out why it happens or how

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Native ISO: 2000. Used the Slog3 Sgamutcine IDT (it whatever it’s called) in ACES. Colin Elves Director of Photography Berlin.

Please don’t use this to judge how well they Key. It was all done quickly using the qualifier in Resolve. The biggest factor that effected the narrowness of the key was noise on the screen - which is

Skin Tone Shootout Results! Here are the cameras: Camera A: Panasonic GH5s Camera B: Canon C200 Camera C: Arri Amira Camera D: Panasonic EVA1 Camera E: Kinefinity Terra 4K Camera F: Red Raven Camera G

Don’t vote based on noise or the cleanliness of the key - this test doesn’t really address either for various reasons. As for accuracy? Who wants accuracy. If people wanted accurate skin tones no one

#poll

That’ll be the contrast curve. None of the cameras are clipping the skin tones at this point. I’ll put together the DR test later and you’ll see which one clips where. Colin Elves Director of Photogra

#poll

Yes - exactly that. I posted previously (it was rushed and had a few problems) and people felt the green would influence colour perception too much so I keyed it out. As for F: it is indeed in focus.

#poll