For point 1) I think that’s simply because the ambient temp doesn’t directly affect sensor noise, only the temp of the sensor does, but the ambient temp affects the camera’s ability to maintain proper

1.) 30F degrees (15C) is a lot. You don’t need to carry a thermometer to know you’re experiencing that kind of temperature swing. But if you’re going from a studio at 70 degrees to a location that wil

It might. I think it would depend on where you started. If the original materilal was shot in log, and you wanted them to have as much freedom to re-interpret as possible, and you had reason to expect

So Lars, Can I simply open an ACES EXR in Photoshop and get expected results? Do I get the ACR import dialog box or something different? David Fuller Director, Cinematographer Maine, USA ---

Eric, I just spent some time on the OCIO Web site, and I can say with some assurance that it would be surprising if 5% of graphic designers have the ability—even if they had the inclination—to manage

Thank you. I’ll have to check that out. David Fuller Director, Cinematographer, Camera Geek Maine, USA ---

Geoff, does Photoshop understand ACES? David Fuller Director, Cinematographer, and occasional designer Maine, USA ---

…and I’m sure the “redressed” pun was intentional... David Fuller Director, Cinematographer, Camera Geek Maine, USA ---

I’ve done that as well. Not fun. And then graded it back when he looked at it on his office computer the next morning. I’ve taken to asking clients to look at work on an iPad, because at this point it

Art, isn’t this just semantics? By that I mean that ASA and EI refer to the same thing—or at least as I understand them they do—only ASA is the manufacturer’s recommendation and EI is “what i set my m

Comparing raw to raw is a nice idea, but in practice it means comparing raw and a raw converter through the operator’s skill at using that raw converter with another raw and another raw converter thro