I've been following the CML discussions, sample footage, and posts, mostly by John Brawley and have decided to take the plunge and buy an URSA Mini Pro 12K.  I think it really checks off a lot of boxes required for the- next generation Digital Cinema camera. 

    It is hard to spend money when there is so much uncertainty in the world, and I honestly don't have any imminent projects to shoot with it right now, but I guess nobody really does.  However, I have a couple of films looking very promising once things get going again that I think this camera would be well suited for.  Since I have a significant investment in S35 format glass, I like that this camera fits into my current lens and camera support infrastructure.

    As some of you may remember, I was an early adopter and quite active in the rollout of the RED One, and I plan to similarly share my experience and test footage from this new camera...the good, the bad, and if it happens to be...the ugly. 

    I actually ordered the camera the first day I became aware of it, so I am expecting to receive shipment in the first batch by mid-August.  In the meantime I can only cross my fingers and hope the camera is everything I expect it to be.

James Mathers
Cinematographer and Founder of DCS
Studio City, CA

As some of you may remember, I was an early adopter and quite active
in the rollout of the RED One

If I remember correctly, the article you wrote was titled "How I spent
$90,000 on a $16,500 camera."

It was one of the very few honest evaluations of that beast and what it
actually cost to begin shooting with it.

-Bob

Bob Kertesz
BlueScreen LLC
Hollywood, California

Mostly Retired Engineer, Video Controller, and Live Compositor
Extraordinaire.

High quality images for almost five decades - whether you've wanted them
or not.©

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It was the highlight of CML.  We looked forward to each installment.