Exposing S-log3 for hdr
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LE POULAIN Jean-Yves
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Jean-Yves LE POULAIN PRODUCT LINE MANAGER – Cinema Optics
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De : cml-raw-log-hdr@... <cml-raw-log-hdr@...>
De la part de Steven Gruen
>>High/Low Key was on the F55 and F5, not on the later cameras, which is a shame as it was my favourite tool |
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Mitch Gross
Introduced on the F65.
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Mitch Gross Prolycht Lighting New York On Apr 5, 2022, at 11:08 AM, Steven Gruen <scgruen@...> wrote:
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Steven Gruen
>>High/Low Key was on the F55 and F5, not on the later cameras, which is a shame as it was my favourite tool
I agree. I don't know why Sony took away that brilliantly simple exposure tool in the most recent cameras. Maybe because no one praised it enough. If you're listening Sony, you how about bringing it back... Steven Gruen Camera Paris, France |
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High/Low Key was on the F55 and F5, not on the later cameras, which is a shame as it was my favourite tool shooting CineEI on documentaries. I haven't looked at the Shogun Inferno, but it strikes me that something similar for HDR exposure would be very useful in the field.
-- ---------- George Hupka Director/DP Saskatoon, Canada Listmum, Cinematography Mailing List |
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Adam craig
Thanks Nezih. I think you’re right. On 30 Mar 2022, at 19:21, Nezih Savaşkan via cml.news <nez=videosoul.co.uk@...> wrote:
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It’s worth noting that, unless I’m mistaken (I might be thinking of another older model), the HDR feature of the Shogun Inferno isn’t proper HDR monitoring (as in, an slog3 to HLG or PQ or something transform), rather it’d a SDR feature that lets you shift what you’re viewing to “look into” the highlights shadows. A bit like the CineEI High/Low Key feature on the F55 and F5 (and FS7?).
I might be wrong though :) ----------------------------------------------- Nezih Savaşkan
Director of Photography + Camera Operator-----------------------------------------------
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Adam craig
Thanks mate. That’s really useful On 30 Mar 2022, at 17:18, mkeegan via cml.news <mkeegan=netflix.com@...> wrote:
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mkeegan@...
Hi Adam, Not sure if this will help but we put together this guide to help some of our productions who were looking to deploy HDR from on set perspective. Hope it helps, the info it's just specific to Netflix more around overall best practices and considerations.
Michael Keegan LA- Technology Partnerships @Netflix |
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Adam craig
I’ve got an Atomos Shogun Inferno with its HDR engine under the hood, so I’m hoping to. On 30 Mar 2022, at 11:36, Nezih Savaşkan via cml.news <nez=videosoul.co.uk@...> wrote:
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Do you need to monitor in HDR on location/set?
----------------------------------------------- Nezih Savaşkan
Director of Photography + Camera Operator-----------------------------------------------
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Adam craig
Hi all,
I’m heading off on a job shooting 4K 59.94p for HDR 1000nits deliverable. Are there any pitfalls re correct exposure that I should be aware of. Many thanks for any help Adam Craig Lighting Cameraman |
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