Friends- After being a founder of Light Iron 10 years ago and having the privilege of spending the last 4 years with Panavision, it is with a heavy heart and an immense sense of gratitude that I say g

I'm unfortunately not able to attend IBC this year, but I got a sneak peek at Sony's new Full-Frame "hybrid" combining features of the FS7, Venice, and Mirrorless camera lines last week in Los Angeles

Hello Friends, I am working on a project where we are to extract 8192x4320 from SR RAW shot on F65. Not working very well tried just about everything including trying to get an answer from Sony. Took

Would you recommend the usage of the rawlite OLPF also on the mini ursa pro g2, anyone any experience with this combination? Lukas, cameraman, Austria

Hi all Anybody know the user/pass for the terminal access into a Pvm-a170 monitor? Thanks Balazs Rozgonyi CEO Video Assist Hungary Sent from my iPhone

Hello everyone, After all the helpful feedback I received last time, I’ve got two more questions regarding the Sony Venice. Has anyone upgraded their camera to Firmware 4.0 yet? What are your experien

Looking for red mini mag 512 gb purchasers to start a class-action lawsuit. They have represented the red mini mag as 512 gb, where it is really only 480 gb, as seen here: https://www.cinema5d.com/wha

Just a quick note and invitation to anyone interested. I will be presenting an ACS branded workshop at the METExpo (former SMPTE) at ICC Sydney on Friday, 19 July 11:00 am. This one hour session will

I’ve uploaded a revised page that now includes .aml look files for Alexa https://cmltests.net/ACES-LUTS.html Once again, thanks to Nick Shaw for his help with these. cheers Geoff Boyle NSC FBKS EU bas

If you're interested in hearing how capturing for both HDR and SDR exhibition impacts the creative process from filmmakers who can speak from experience, check out the ICG panel on the topic at CineGe

Skin Tone Shootout Results! Here are the cameras: Camera A: Panasonic GH5s Camera B: Canon C200 Camera C: Arri Amira Camera D: Panasonic EVA1 Camera E: Kinefinity Terra 4K Camera F: Red Raven Camera G

It’s not so much the ability to process RAW, but the card space on set and the transfer times (assuming you use CDNG RAW files). The FS7 gets heavy use in the corporate editorial and general interview

An amazing resource. Thank for posting it. I'd like to see it displayed on a real, calibrated monitor. -Bob Bob Kertesz BlueScreen LLC Hollywood, California Engineer, Video Controller, and Live Compos

That’s a fair distinction. However, at the below $10K market these options are limited. We were speaking of the FS7, which does not record RAW natively but can via the Odyssey record CDNG. It also has

Hard drive storage is now only around $30/TB. Sony RAW is about 2 hours / TB = ~ $15/hour (minimum wage in some places). 3 copies x $15 = $45/hour. I really don't think it's about the money. Noel Ster

Granted I’m an FS7 owner so maybe this is just sour grapes, but isn’t what you are really comparing the post process each of these cameras has gone through not the cameras themselves. That’s immediate

A new poll has been created: Okay, so... Fairly evidently I messed up when rushing this out the door. I've now taken a bit more time, keyed out the green (more or less)... fixed a couple more issues w

A new poll has been created: In February 2018 I organised a mini shootout of budget cameras (under €10k) in Berlin. I never released them as I messed up one of the cameras, didn’t have time to finalis

Hi all! Seeing if anyone has a contact name for someone at Canon? I wanted to see about implementing canon raw light in the canon c700 FF. Thanks all! Ed David www.eddaviddp.com ed.david@...

Hi guys, I recently got a canon c700 PL mount s35 version and thinking of upgrading to the FF sensor - wondering if there are tests of the new sensor vs the older sensor to see dynamic range, low ligh