hi im trying to get my head around Dolby Vision and understanding the differences between Dolby Vision and HDR, what the pros and cons are, and the fundamental differences. I’m aware that Dolby Vision

The same settings as in the vector scope test but now with saturation levels matched to the Alexa. Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

Once again, matched exposures and saturation in ACES but in Prelight this time. Normal IDT, contrast .85 Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

Same as before but from Prelight this time. In reverse order. Varicam, Helium, F65, F55, C700, Alexa-SXT Cheers Geoff Boyle Cinematographer EU Based www.gboyle.co.uk +31 (0) 637 155 076

These are from matching frames from the July tests. In ACES in Resolve with just the relevant IDT applied, contrast set to .85 and colour centred with offset. Alexa SXT, C300-2, C700, F55, F65, Varica

Hi folks, I instructed a shooter with an FS7 to shoot in SGamut3.cine/SLog3, but I'm almost certain that the footage I got back is SGamut/SLog2. Catalyst Browse is telling me that the capture gamma is

Merry Xmas everyone! Can anyone confirm whether or not Red’s Image Processing Pipeline incorporates some noise reduction? I’m assuming it does - otherwise there’d be FPN at high ISOs, I don’t really u

OK, I'll be doing this evaluation in stages. This post which includes links to RAW or Highest quality possible QT files from each camera of resolution and various colour charts. All cameras are in the

Anyone have any luck recording or outputting via HD-SDI a S-LOG3 signal from the Z450 camera? I can turn a setting "on" but I have no luck outputting or recording it and I've been unable to even enabl

Unsure if this belongs here or in general or somewhere else, it’s a question about HDR, but about hardware. I’m having a hard time finding any good information about available onset HDR monitors, larg

Ari Rothschild and Noah Yuan-Vogel did some comparison tests between the KineTerra 4K, Terra 6K, Red Helium and Arri Alexa in New York Recently: https://vimeo.com/253066273 Ari has the Raw files on Go

Hi all. I have shot a doc on a FS7 in XAVC-I / Slog. It is now being sold to NHK Japan and they are asking if it was shot in HDR. Now, being that all modern cameras are HDR capable with they 13+ stops

Hello, I am shooting a documentary in Cambodia that will be shown in 3D on Imax screens as well as in Dome cinemas. Shooting on Red VV Monstros. Any advice on shooting for these formats (dome especial

Geoff, Thank you for doing this series of tests. Your standard system of charts and methodology makes basic comparisons between cameras straightforward. I feel it gives everyone a really good starting

Hi! What is the word on the street re: SONY VENICE camera? In terms of image quality… I know my question is a bit vague, just wanted to see what people think about it, after playing with the demo mode

I’ve done that as well. Not fun. And then graded it back when he looked at it on his office computer the next morning. I’ve taken to asking clients to look at work on an iPad, because at this point it

I've spent today with a Venice and a bunch of charts, we also shot lend tests but I'll post about those in glass. Obviously I haven't had time to thoroughly analyse the tests, I'll be posting EXRs and

I’m not going to identify cameras but here are the five main manufacturers top cameras as of June 2017… The values are RGB and were read with the picker tool in Resolve in ACEScct using the SDK or IDT

The problem is: +5 stops might not actually be enough to push the Alexa to breaking point. I’ve done some comparison testing myself, but since I’m in the bush leagues and not the premiership like your

Oooh. Look. Red have a new sensor. And a new video featuring someone who doesn’t appear entirely comfortable with what they’ve been told to say. Slightly uncomfortable viewing for all! http://www.red.