Hi everyone, I'm trying to track down a link to a HFR software demonstration I saw not too long ago. They'd shot demo material (of dancers in an airplane hangar I think) on an F65 at 120fps. And their

A couple of pics as a taster. Grade applied is from the Kodak Gray Scale corrected to the values on the back of the chart, i.e. grey neutralised and level set to 488. This grade was applied to both st

Some tests worked and some we abandoned. There'll be a few surprises when I finally post. A mystery camera which I'm not going to identify but you are welcome to see the tests. I'll put up a page of p

>Van: cml-raw-log-hdr@... <cml-raw-log-hdr@...> Namens Michael Sanders via Cml.News >Verzonden: 12 July, 2018 22:23 > >Thought I’d linked to this already but it’s amazing.. > > […] http://w3w.co/films

Id like to thank everyone involved, you were fantastic! We had great support from all the manufacturers with the usual exception. Tom Debenham supplied us with a film camera Sam Morris assisted us wit

Doesn’t matter if I know the offset - same as shooting greenscreens or bluescreens for the last thirty years Only if you have the camera with you on the scout By the way, if you want to walk down a ha

Well, today was a day with a lot of slop in it to allow for "discoveries" First i found thst I'd madexa basic mistake inbthe footcandle level and stop calculations. We needed twice as much level as I

Nothing wrong with using a still camera if it floats your boat **************** I was shooting the transitional pieces for RED DAWN … mainly Aspens turning color. Fabulous late afternoon. A storm was

As a matter of interest does anyone use a Lumi with an iPhone? I have a Sekonic meter but the idea of a meter that does CT for only £200ish is very appealing. Michael Michael Sanders London Based DP.

I'm not going to respond to any more messages about the tests, it's too distracting. Most of you seem to miss the vital point that in a real-world situation I often have to rely on my meters, it's jus

I have a project coming up and we are planning on finishing it in Black and White. I will most likely have to use the Sony FS7 for this with an Odyssey Raw recorder. The setting of the film is the 194

In anticipation of the 2018 Camera Evaluations I’ve setup a new website, it’s really a sub web of cinematography.net Currently there are some test files there and if you’re interested in raw then you

A further note on Gordon Willis. Godfather, Part III was shot with a thick negative. The Technicolor IB process was no longer available to him like it was on the earlier films, so Willis exposed diffe

In preparation for the next round of camera evaluations I asked for comments and got a lot regarding the type of charts I was using. I've been thinking a lot about this and I think we may have it all

I don’t think you can ever look at DR on a chart though. If you don’t have access to a Xyla (they’re available with up to 26 stops these days), a Stouffer transmission wedge can be used. But the ones

Dear colleagues, you can already download from the IMAGO page the test we carried out with the Venice camera, SIGMA, LEICA and Kowa anamorphic lenses. http://www.imago.org/index.php/technical/item/752

First, my apologies for cross posting, but if I can’t break my own rules…I’m also posting on Cinerant. The next camera evaluations are shooting in three weeks and I’ve been thinking about how to chang

Geoff, Re Testing in general, your tests your call, re charts, setup and lighting. Testing is all about you asking "questions" of cameras and gear and there in no right or wrong way to test so long as

I’ve started this as a separate topic but it’s really part of the next camera tests. I tend not to use DSC Chroma du monde as it’s really a TV related chart. I had stopped using the X-Rite or Macbeth

The tests will be shot both tungsten and LED daylight. Tungsten being the most “accurate” source I can use. Thanks, this sounds perfect and I can't wait to see them. Especially interested in seeing if