Hi all, I think this is the right forum to ask my question. If not, please can someone point out the right one so I can post it there. Thanks. I've been using a Blackmagic Design 5" 12G Video assist f

Annoyingly, Sony in CineEI (SLog3 Sgc3.C) has removed internal gain for acquisition. Re SNR and ‘clean blacks’ it’s all about having a higher signal to noise, so by that logic if you increase your sig

What have you tried so far and what is the image you’ll be shooting , especially its contrast range . What looks bad to you and how are you looking at it ? . No point in telling you to try stuff you’v

Hi all, we have made a while back an app to convert ProRes RAW files to Cinema DNG sequences called RAW convertor ( https://www.rawconvertor.com/ ). Now we support both Windows and MacOS, so feel free

BRAW Toolbox (https://brawtoolbox.io) lets you use Blackmagic RAW files natively in Final Cut Pro, without transcoding. Some details: https://appleinsider.com/articles/23/01/28/new-braw-toolbox-app-br

Hello there! I would like to know of real actual experiences shooting ARRIRAW and using HDE for feature films, commercials or series in the past years. Any advices or precautions we should take when w

Hello Friends, I am searching for a conversion LUT for V-LOG to BT.2020 to load on to Lumix S1H and also for BMD mini converter. Any ideas where to look? Panasonic only has to 709. -- Ulf Soderqvist D

Greetings, For an upcoming series we are using multiple Venice Cameras (1. Generation not the Venice2) and are planning to film most of the project in X-OCN ST. Regarding the VFX shots, my understandi

Hi everyone. Please, does anyone know what the native color temperature of the Venice 2 sensor is? Thanks a lot!

Hi all, I’m heading off on a job shooting 4K 59.94p for HDR 1000nits deliverable. Are there any pitfalls re correct exposure that I should be aware of. Many thanks for any help Adam Craig Lighting Cam

Hello CML, I'm a cinematographer and I'm trying to create the best stills from a project I've been a DOP for. I'm working on stills selection from a project that I've shot as DOP. The stills will be p

I'm working on film mostly on a gimbal with a Sony FX3 but I'm having a hard time sourcing media cards that can handle XAVC S-I 4K. Does anybody know if it is possible to record on an SSD drive connec

Hello everyone, I have been hunting for this specific information for a while with Canon, but haven’t got an answer. Forgive me if this is not the right group to drop this question in. I am working wi

Hello together, my name is Fadi and I study media technology at RheinMain University in Wiesbaden. As part of my project work, I am looking for HDR images with a bit depth of 16 bits. My professor's r

Andy, I’ve just taken delivery of a new MacBook Pro with a 2TB SSD. I went for a larger SSD as I’ve read that the new unified memory architecture means you could edit with footage on the system drive

Hi! Anyone had issues with CF-Fast Cards on the ARRI Alexa Mini? I just experienced reading issues with a card from Angelbird. It seems like we lost half a day of shooting. I use the Angelbird AV PRO

Does anyone have any experience with editing high resolution projects (16K and higher) in Resolve and what the actual limit may be (assuming any existing hardware)? I’m aware Blackmagic Design is clai

I just landed a job for DIT. It's my first experience in an environment like this. They are shooting with an Alexa SXT Plus. Apart from storage they want me to: - Transcode the files into something ea

Hi everyone! I'm looking into the Freefly Wave as an alternative camera for those quick, lower budget tabletop shoots. Obviously there's no comparison in terms of quality to even an older Phantom or W

Hi I have worked with LED walls before with Alexa, and had to genlock/TC lock them to get rid of refresh artefacts and double lines. However, now I'm on a mini, and I see horizontal banding with sawto